Simon Annand’s Time To Act is a beautiful book of photos capturing actors in the minutes before they go on stage
Tackling the constraints of the pandemic in its own way, Simon Annand’s fantastic new book of photos Time To Act has launched a virtual exhibition of some of the photographs which has now been extended to until Christmas. It’s an ingenious way of sharing some of the hundreds of images from the book and should surely whet the appetite for either just buying it now or putting on your list for Santa to collect soon.
Continue reading “Book review: Time To Act – Simon Annand”
I’m loving this deep dive in to Tristram Kenton’s archive, this time taking a turn into the many Chekhov productions he has been witness to. Highly recommended:
Photos: Tristram Kenton
“What visions have I seen”
When the RSC announced their production of A Midsummer Night’s Dream, surtitling it ‘A Play for the Nation’ as it tours the UK, working with amateur theatre groups across the land, they probably weren’t expecting it to be a play for the nation because somebody would be putting on another production of it every couple of weeks. Or maybe they were, it is one of Shakespeare’s more popular plays – indeed it is among my favourites as the first I ever read – and so why wouldn’t Filter bring it back to the Lyric Hammersmith, the Reversed Shakespeare Company put their own spin on it, Emma Rice opened her tenure at the Globe with it, and the Southwark Playhouse open their own version of it with Go People early next week…
For those outside of the London theatre bubble though, the opportunity to see a televised version of the play, adapted by Russell T Davies’ gay agenda and directed by David Kerr, won’t have felt like overkill. And there was much to commend in a reimagining of the play which dabbled in just a fair few changes for the most part and then decided to rip up the rulebook in a jubilant final ten minutes that will doubtless seize the headlines and rile the purists among us but regardless, managed to remain unerringly faithful to exactly how you would imagine Davies’ Dream might play out (Flute/soldier fanfic please!). Continue reading “TV Review: Russell T Davies’ A Midsummer Night’s Dream”
“This is starting to get offensive”
Proving herself once, twice, three times a lady Chekhov adapter, Anya Reiss now finds herself in the slightly odd position where (I think) she’s had more of her adaptations produced than her original writing – it’s certainly one way of casting off the mantle of ‘saviour of new writing’ with which she has often been blessed/cursed. I didn’t catch her well-received take on Spring Awakening for Headlong earlier this year but it is reimagining the work of Chekhov that has really fired her mojo – recent versions of The Seagull and Three Sisters are now followed by an equally modern Uncle Vanya for the St James Theatre.
And whilst I’d love to say these adaptation are going from strength to strength, for me it is much more a case of diminishing returns. Moving The Seagull to a contemporary Isle of Man chimed well but Three Sisters suffered a little (well, a lot) in the shift to a modern British embassy and so too does Uncle Vanya here, relocated to a Lincolnshire farm in the modern day. The sense of crippling stagnation, of an entire way of life on the precipice is present but none of the deep emotion or eternal tragedy of the characters that should elevate its concerns to the universal. Continue reading “Review: Uncle Vanya, St James Theatre”