Irvine Iqbal has launched a new project called Same Voices Unite, which aims to raise awareness of the impact of Covid-19 in India and to get the message through, he has helmed a star-filled video featuring West End performers as part of its main campaign.
The video will feature a performance of Dan Gillespie Sells and Tom Macrae’s ‘It Means Beautiful’, from West End musical Everybody’s Talking About Jamie, sung by a cast of more than 30 performers. Audiences of the video will be directed to the One Family charity donation page. Continue reading “It Means Beautiful, for India Covid Relief”
Don’t read on if you haven’t finished Series 4 of Unforgotten for major spoilers are within
“We are who we are – I don’t think you can ever really change that”
It’s a good job that Series 4 of Unforgotten aired as spring arrives in the air and the promise of easements is finally taking some of the sting out of lockdown life. For had it been on in the endless depths of the last few dark months, I don’t think I could have coped. Indeed, I’m not sure I can still really cope now even with it being 23 degrees outside.
They killed Nicola Walker! Again! I’ve barely recovered from how they did Ruth dirty, but given the way that episode 5 ended and the way people were talking at the beginning of episode 6, the writing was on the wall. And so as Sunny finally cracked the case and unwound the puzzle of Matthew Walsh’s death and the four young police officers intimately involved with it, DCI Cassie Stuart breathed her last. Continue reading “TV Review: Unforgotten, Series 4”
The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!
“We’ve all done things of which we are ashamed”
The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)
A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well. Continue reading “TV Review: Unforgotten Series 3”
The third series of Unforgotten starts and once again, Nicola Walker fails to disappoint
“Who buries a body in the central reservation of the M1”
They’re back! Nicola Walker’s DCI Stuart and Sanjeev Bhaskar’s DS Khan sit at the heart of Chris Lang’s cold case thriller Unforgotten and for the previous two series, have been extremely impressive. Carving out a niche in the crowded police procedural TV market is enough of a job but doing it this well is noteworthy.
So it is little surprise that they have returned for a third series and though the format might be creaking ever so slightly as the same model is recycled once again, there’s enough here to point out the differences between so many of the other programmes who long to be recommissioned and respected this much. Continue reading “TV Review: Unforgotten Series 3 Episodes 1+2”
“You might put me in prison but let me tell you this: you can’t judge me unless you’ve had it done to you.”
Blimey, I knew Unforgotten was good (here’s my Episode 1 review, and my Series 1 review) but I wasn’t expecting it to be this soul-shatteringly excellent. More fool me I suppose, Nicola Walker is a god among mortals and her presence alone is reliably proving a harbinger of excellence, but allied to Chris Lang’s scorching writing, it’s hard to imagine that we’ll see much better television than this before the year is out.
That it managed this by using elements that have been seen recently (historical child sex abuse as per Line of Duty; the Strangers on a Train twist featured in Silent Witness just last month) and imbuing them with a compelling freshness is impressive enough, but the way in which it revealed this at the mid-point of the series and yet still had hooks and surprises aplenty to keep me gripped right until the bitterly haunting end. Continue reading “TV Review: Unforgotten Series 2”
“Maybe we should be concentrating on the suitcase”
In the glut of new crime series that have started this week – Death In Paradise, No Offence – Chris Lang’s Unforgotten stands out for me as a clever twist on a crowded genre, plus it has the bonus of the ever-excellent Nicola Walker in a starring role. Unforgotten’s twist on the crime drama is to completely emphasise the latter over the former, so whilst each series hooks on a cold case brought back to life, the focus is on the lives that have continued in its wake.
The reveal of the format was a highlight of the beginning of the first series, the disparate stories of 4 seemingly unconnected people bound together by the discovery of their phone numbers in the victim’s diary. And this second series wisely sticks largely to the same formula, introducing us to a Brighton gay couple in the process of adopting, a nurse on a cancer ward in London, a teacher applying for a headship in a school in special measures, a young man lying to his mother…all of whom are sure to be linked to the body found in a suitcase in the River Lea. Continue reading “TV Review: Unforgotten Series 2 Episode 1”
“Have I got chickens?”
Where else would a new theatre open but underneath an existing one?! The Bunker has taken up root in a converted car park under the Menier Chocolate Factory and for its first show, has co-opted Edinburgh hit Skin A Cat. Written by Isley Lynn, it tackles the subject of sexual embarrassment with an admirable frankness that you don’t often see.
Lynn particularly looks at vaginismus, something she freely admits comes from personal experience, through the character of Alana’s journey of sexual maturity. Vaginismus is a psychosomatic condition that makes sexual intercourse painful or even almost impossible due to muscle spasm during penetrative sex and through an uncompromising performance from Lydia Larson, we discover what impact such a thing can have for a young woman navigating her way through contemporary society. Continue reading “Review: Skin A Cat, Bunker Theatre”
“You believe in laws but there are only lechers”
For some reason or other, I stopped watching the second series of Ripper Street midway through and it’s taken me until now to finally finish it. It wasn’t that I didn’t enjoy it, it’s more likely to do with running out of time to watch it on the iPlayer or something but anyhoo, I’ve managed it now. My review of Series 1 (which I thoroughly appreciated) is over here and I have to say that that enjoyment has continued, even if I do have a few reservations about its female voices.
It’s a shame that in a crime procedural led by three men, two of the leading supporting female characters did not return for this second series. DI Reid’s wife and kind-of-mistress (Amanda Hale and Lucy Cohu) are both MIA, losing all the work done to establish them, and though Leanne Best is introduced as a local politician who can’t help but flirt with Reid (he’s played by Matthew Macfadyen after all), the overall weight of the series does thus feel a little unbalanced. Continue reading “DVD Review: Ripper Street Series 2”
“Please God, help me not to make a complete fool of myself,”
Wipers – a garbled mispronunciation of Ypres – is a hugely fascinating piece of writing, co-produced by Leicester’s Curve, Watford Palace and Coventry’s Belgrade theatres and pleasingly playing in all three cities. For it is inspired by the real-life story of Khuddadad Khan, the first South Asian soldier to be awarded a Victoria Cross for his bravery in the First World War, where no less than a million South Asian soldiers were active on the battlefield, previously relegated to a footnote in history but rightfully brought to our attention here.
Wounded by an attack in the first battle of Ypres that killed most if not all around him, Khan’s resilience held off enemy fire to long enough to protect the remnants of the British forces, among them the four soldiers of this play. Seeking refuge in a barn, they await hoped-for reinforcements, the noises of (the unseen) Khan’s weapon periodically discharging echoing around as they cleave together over a long night. But there’s not just four men, they’re a British officer and three Indian soldiers, with all the tension and torque that brings. Continue reading “Review: Wipers, Curve”