One of my favourite musicals – Howard Goodall’s The Hired Man receives a well-realised new revival courtesy of Queen’s Theatre Hornchurch and Hull Truck Theatre
“I can peel my own orange”
From the Landor to the Mercury to the Union, via the NYMT and all-star Cadogan Hall concerts, there’s no doubting that Howard Goodall’s British folk musical The Hired Man is one of my all-time faves. Musically, it is so beautiful that you can’t really argue against the marketing material claims that it is “the best British musical in 40 years” (though I might demur and say Top 5…).
It is now the turn of Queen’s Theatre Hornchurch and Hull Truck Theatre to revive the show, some 35 years old now, in association with Oldham Coliseum Theatre. And Douglas Rintoul’s fully actor-musician production is brimming with good ideas which serve the material well, teasing out a universality to its message which can sometimes feel hemmed into its Cumbria setting. Continue reading “Review: The Hired Man, Queen’s Theatre Hornchurch”
This regional UK premiere of Once the musical should see you falling slowly towards Queen’s Theatre Hornchurch in order to book your tickets!
“Raise your hopeful voice, you have a choice”
I’d forgotten just how much I like Once. I saw it a couple of times in its 2013-15 West End incarnation (review #1, review #2) and its atypical subtlety was a big hit for me, particularly in the gentle mood cultivated by Glen Hansard and Markéta Irglová’s music and lyrics. The fact that it isn’t a brassy balls-out West End musical might explain why it has taken a little time for its regional premiere to emerge but mercifully, that time has now come.
For that, we have co-producers Queen’s Theatre Hornchurch and New Wolsey Theatre Ipswich to thank. And director Peter Rowe’s actor-musician production slips into the groove perfectly, as warm and comforting as a pint of Guinness or three in your favourite old man’s pub – and occasionally just as rowdy as well. With Enda Walsh’s book taken from John Carney’s original film, its bittersweetly romantic tone feels perfect as autumn descends. Continue reading “Review: Once, Queen’s Theatre Hornchurch”
“If only I could start to realise I’m not the only one who feels like they’ve been left behind”
Austerity bites. And it seems like it often bites hardest on the arts, government thinking considering them a luxury rather than a necessity as libraries and those relying on arts funding have been finding out to their cost. And in Thomas Attwood and Elliot Clay’s new musical The State of Things, it is a group of seven Sutton Coldfield teenagers, preparing for their music GCSE performance, who find that the A-Level music course onto which they all want to progress is being cut from the timetable in a cost-cutting measure.
Being teenagers means that they quickly get up in arms to protest the decision to their headteacher (known as Maggie – the school is an academy…) but being teenagers, they’re also horny af and wrestling with the weight of the world on their shoulders, sometimes all at the same time. Thus the political mixes with the personal (affectingly so in the case of Hana, who faces huge responsibilities at home due to her mother’s health issues), inconsequential daily drama with sincerely felt fear for the future. Continue reading “Review:The State of Things, Brockley Jack”