Ahead of National Theatre at Home’s one year anniversary on 1 December, the National Theatre has today announced the next filmed productions to be added to the streaming service, which is supported by Bloomberg Philanthropies.
Joining the platform today is Simon Godwin’s critically acclaimed 2018 production of Antony & Cleopatra in the Olivier theatre, with Ralph Fiennes and Sophie Okonedo playing Shakespeare’s famous fated couple. Then the iconic and multi-award-winning production of War Horse, based on the novel by Michael Morpurgo, will be available from 1 December until 31 January 2022 on demand internationally for the first time since its premiere 14 years ago. It will be available with British Sign Language, audio description and captions. Continue reading “News: One year of National Theatre at Home – New titles added”
Emily Watson and Denise Gough both excel in chilling TV psychodrama Too Close
“Grief can be its own kind of hell”
Too Close comes to ITV with Clara Salaman adapting her own pseudonymous novel and Susan Tully directing the 3-part series. And rather impressive it was too, continuing to buck the (possibly unfair) preconceived notions about ITV dramas that persist in my mind.
Emily Watson plays Dr Emma Robertson, a forensic psychiatrist returning to work after a personal tragedy, whose first case back is that of Denise Gough’s Connie Mortensen, a woman accused of a horrific case of attempted murder whose fitness to stand trial Emma must declare. Continue reading “TV Review: Too Close (ITV)”
Rafe Spall and Esther Smith continue to be charm personified in the second series of Apple TV’s Trying
“No-one’s laminated my life story yet”
As Apple TV continues to try and meaningfully break through, its commitment to its original series is commendable. Ted Lasso is riding the slowburn train to award success and also getting a second series if somewhat more under the radar, sweet comedy Trying has also returned.
The show centres on thirty-something Camdenites Nikki and Jason and their efforts to grow their family. The first series tackled their (lack of) fertility and the start of their journey through the adoption process and this second sees them continuing to navigate this bureaucratic and emotional minefield. Continue reading “TV Review: Trying Series 2 (Apple TV)”
Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show, with Vicki Pepperdine’s Anne a real highlight
“You lied to me when you went to bed with Nicola Sturgeon in her holiday persona of Flame”
Series 2 of The Windsors ups the absurdity and the satire of this cracking TV show as Theresa May (Gillian Bevan), Nicola Sturgeon (a genius Amy Booth-Steel) and Donald Trump (Corey Johnson) (and Ellie Goulding too – nice to see Lizzy Connolly on TV) all make appearances to further lampoon our blessed Royal Family.
Harry Enfield’s Prince Charles comes in for some particular stick as his organic credentials, urban planning skills and predilection for interfering in geopolitical affairs all get raked over the coals to great comic effect. Elsewhere, most everyone else gets away with flights of fancy rather than having their actions similarly scrutinised, for the most part. Continue reading “TV Review: The Windsors, Series 2”
Auburn Jam Music are delighted to be releasing ‘You Will Be Found’ by #CheerUpCharlie & West End Friends, a fundraising charity single in aid of youth charity The Diana Award, on Sunday 15 November to tie in with the start of National Anti-Bullying Week (16-20 November).
The star-studded single is led by ten-year-old Charlie Kristensen from Wokingham, whose experience of being bullied started the viral #CheerUpCharlie campaign. Charlie is joined on the song by numerous stage and screen stars including Wendi Peters, Layton Williams and Michael Xavier, with Iain Armitage, Michael Ball, Rufus Hound, and Faye Tozer amongst many famous faces reading their supportive messages on the song’s video. The single is available to pre-save now on iTunes, Deezer, Spotify and Tidal at https://ditto.fm/you-will-be-found. Continue reading “News: You Will Be Found by #CheerUpCharlie & West End Friends to be released on 15th November”
Not even with Neil Cross writing and Russell Tovey and Bertie Carvel starring can I recommend the dullness of TV show The Sister
“You know how these things can spiral out of control”
With Neil Cross (he of Luther) adapting his own novel and a cast led by Russell Tovey and Bertie Carvel, plus Amanda Root lower down the bill, hopes were high for new ITV drama The Sister but boy, were they crushed. Sadly, I think it is one of the dullest shows I’ve seen in ages, rivalled only by Roadkill which I’m struggling through at the same time.
Stripped over a week, this four-parter follows Tovey’s Nathan, whose apparent marital bliss is shattered by the arrival of Carvel’s Bob, a sinister figure from his past with whom he shares some dark secrets. Namely, that after a particularly intoxicated New Year’s Eve involving a random hookup, said hookup ended up dead and buried in the forest. Continue reading “TV Review: The Sister”
The second series of Motherland continues to peel back layers of articifice around cultural ideas of motherhood – still bruisingly comic but sometimes just bruising
“Life’s too short to dick about with aubergines”
There’s a boldness to this second series of Motherland that is sometimes breath-taking. The show, created by Sharon Horgan, G*a*a* L*n*h*n, Helen Linehan and Holly Walsh, has never been sentimental about motherhood, brutally comic about the varying difficulties of being a parent/partner/employee/friend all at the same time and being utterly unafraid to show its characters failing at one if not more of them on an episodal basis.
This second season though, all now available to watch on t’iPlayer, tightens the screws even more, really pushing out the limits of what these people are willing to inflict on others in the name of just getting through the day. It makes for a bracing watch but even I was wondering whether the brutality shouldn’t be reined in just a bit… Continue reading “TV Review: Motherland (Series 2)”
“Come see the show,
She will neither know nor care”
It is always fascinating to listen to the cast recordings of shows that are regarded to have flopped, to see whether the writing was always on the wall or if some reason was responsible for the magic not happening. Lasting just four months at the Theatre Royal Haymarket in 2008, Marguerite is one such musical, despite (or maybe because of) the weight of expectation behind its writing team.
With a book by Alain Boublil, Claude-Michel Schönberg and Jonathan Kent (from the the Alexandre Dumas, fils’ novel La Dame aux Camélias) lyrics by Alain Boublil and Herbert Kretzmer, and music by Michel Legrand, the demands on these Gallic grandees were nothing short of recreating the exceptional success of Les Misérables (on which Boublil, Schönberg and Kretzmer collaborated) but it wasn’t to be. Continue reading “Album Review: Marguerite (2008 Original London Cast Recording)”
“You don’t get that quality of dance at Sadler’s Wells”
There’s something wonderfully political about the Lyric Hammersmith’s pantomime Aladdin this year. Not just in Joel Horwood’s script, which packs in the requisite Trump and Brexit jokes, plus a cleverly worked visual gag for Article 50, and has the land of Fulhammerboosh ruled over by the Emperor One Per Cent. But in almost every aspect of Ellen McDougall’s production, there’s the kind of astute decision-making that has made her a director to watch and whets the appetite even more for her forthcoming Artistic Directorship of the Gate Theatre.
So the first character we meet is Abanazer, played with lip-smacking relish by Vikki Stone as a cross between Mrs Overall and Grotbag, who pretty much steals the show. And our Aladdin is no clueless US import but rather Lyric regular Karl Queensborough, notching up his eighth performance at a venue where he was nurtured by their youth programme. And casting Malinda Parris as the genie not only releases her sensational powerhouse vocal but also further shows up how questionable Disney’s Aladdin’s gender politics are over at the Prince Edward Theatre. Continue reading “Review: Aladdin, Lyric Hammersmith”
“It’s hard to get things right while they happen to you”
With his second play Eventide, one gets a sense of what the Barney Norris-verse is about. As with the aching splendour of last year’s Visitors, we’re in rural England and focusing on the smaller details of the big picture, the individual lives that make up a society that is struggling to keep pace with the changing world. An elegant three-hander played out over two key encounters a year apart, Alice Hamilton’s production is full of subtleties and subtly powerful acting that does real justice to Norris’ emerging voice as a playwright of real note.
In the pub garden of an establishment in deepest Hampshire, three lonely souls share their sorrows, specifically in one case as it is the day of a funeral but also more generally as the rural economy on which they all depend has become increasingly depressed, the world of farming very much no longer what it used to be. Pub landlord John is throwing in the towel and selling to a chain, church organist Liz is losing money foot over pedal as local gigs are so thin on the ground and Mark, whose best friend’s funeral it is, can’t go because a rare job offer – as painful as it is – has come up. Continue reading “Review: Eventide, Arcola Theatre”