David Nicholls’ The Understudy translates to an amiable radio play with Stephen Fry, Sarah Hadland and Russell Tovey
Unswayed by the arrival of Covid-19, playwright Henry Filloux-Bennett and director Giles Croft have adapted their putative theatrical production of The Understudy into a two-part audio version. David Nicholls’ early novel about a jobbing actor has been lightly updated and the injoke-heavy result is rather good fun.
Narrator Stephen Fry takes us through the journey of Stephen McQueen (no relation!) as he prepares to understudy a hunky young actor in the West End and espies an opportunity to collude with the 12th sexiest man in the world to allow him to philander away and let Stephen chase the stardom that has eluded his career so far. Continue reading “Review: The Understudy”
The Understudy is a brand new radio play that will be broadcast in two parts on Wednesday 20th May and Wednesday 27th May to raise funds for the theatre industry which is facing a devastating impact from the Covid-19 health crisis. The Lawrence Batley Theatre in Huddersfield will split proceeds of this project with charities including the Theatre Development Trust (SOLT and UK Theatre), Acting for Others and Equity Charitable Trust.
Coming together at a time that matters the most, the stellar line-up of actors currently confirmed to perform in The Understudy includes Stephen Fry, Emily Atack, Sheila Atim, Layton Williams, Russell Tovey, Sarah Hadland, Mina Anwar and many more. The cast and creative team involved in The Understudy will take part completely in isolation and actors will record their lines at home that will be brought to life by an exceptional sound design team. Continue reading “News: The Understudy – a brand new radio play with Stephen Fry, Emily Atack, Sheila Atim, Layton Williams and more”
“We don’t want to know what’s going on”
Wise people in Skid Row once counselled “don’t feed the plants”, but the threat there was clear in the shape of Audrey 2. But over in the undefined anonymity of fiji land, three men are under orders to do just that – when the siren sounds, they’ve to feed and water the plants under their charge. But they’ve not to question why, they’re not allowed to know each other’s names, and when the orders start to darken in an ominous manner, it foreshadows the deterioration of their own situation.
Even with the best will in the world, one couldn’t really begin to explain what happens in Nick Gill’s play and why, and I think he’d be exactly fine with that. His writing is allusively thick and his approach to convention somewhat offbeat – to criticise fiji land for not having enough narrative development seems to be flying in the face of the playwright’s intentions. But sat in the smaller space of the Southwark Playhouse, it is also a little difficult to adjudge just what those aims are. Continue reading “Review: fiji land, Southwark Playhouse”