Maggie Gyllenhaal’s directorial debut The Lost Daughter is an unalloyed success with a brilliant performance from Olivia Colman at its heart
“Children are a crushing responsibility”
Based on Elena Ferrante’s novel of the same name, Maggie Gyllenhaal’s directorial debut – which she also adapted – is a bracing and bold piece of cinema, featuring a stunning lead performance from Olivia Colman. And if there was any justice in the world as it currently is, The Lost Daughter and Gyllenhaal herself would be getting much more Oscar buzz.
The Lost Daughter follows college professor Leda as she holidays in Greece but whilst she’s ostensibly there to relax, a strange tension lies in the air. Something in her spirit feels restless from the off, made worse by the arrival of a gobby family from Queens, shattering the peace even further when their 3 year old daughter goes missing momentarily. Continue reading “Film Review: The Lost Daughter (2021)”
The First Folio is one of the great wonders of the literary world. Published in 1623, seven years after the death of its author, it was the first printed edition of Shakespeare’s collected plays. Without this achievement, we would have lost half of his dramatic work. So a new website has been dedicated in gratitude to the 400th birthday of this foundational book on the 8th November 2023, complete with essays, articles and a set of speeches from the plays read by an illustrious cast. Follow the jump to find out who. Continue reading “News: Folio 400 website goes live”
Keira Knightley is excellent in the all-too-relevant Official Secrets, a film full of theatrical talent
“Just because you’re the Prime Minister doesn’t mean you can make up your own facts”
I’m not quite sure how I managed to let Official Secrets pass me by late last year, given how thesp-heavy its cast is. Practically every scene is filled with familiar faces of much-loved actors, so getting to catch up with it now was a real pleasure. Based on the book The Spy Who Tried to Stop a War by Marcia & Thomas Mitchell, Gavin Hood’s docudrama is eminently watchable and a salutary reminder of how far governments are willing to (over)reach in the face of uncomfortable truths.
It is based on the true story of Katharine Gun, a low-level GCHQ employee who leaked a secret memo that exposed the lengths that the US and UK were willing to go to in order to secure backing for their invasion of Iraq in 2003, in the face of the lack of any tangible WMDs. She copies the memo for a media friend, a front-page scoop follows and thus the consequences of breaching the Official Secret Act are brought to bear. Continue reading “Film Review: Official Secrets (2019)”
The latest venue to announce the opening of their digital archive in order to satisfy our theatrical cravings is the Hampstead Theatre who, in partnership with The Guardian will re-release the live stream recordings of Mike Bartlett’s Wild, Beth Steel’s Wonderland and Howard Brenton’s Drawing the Line for free.
Available to watch on theguardian.com and hampsteadtheatre.com, the three productions will be made available, on demand, over three consecutive weeks as part of the theatre’s #HampsteadTheatreAtHome series and the first of these – Wild – is available now. And once you’ve watched it, take a look at the ways you can support the Hampstead Theatre here. Continue reading “News: #HampsteadTheatreAtHome launches this week”
“The Black bird has landed”
It’s only taken me, ooh, a couple of years to get round to watching Cilla, a 2014 ITV miniseries written by Jeff Pope, in which time the small matter of Cilla Black’s passing has made it a more poignant piece. My main reason for watching though, its arrival on Netflix aside, was to finally catch up with Sheridan Smith’s portrayal of the Liverpudlian light entertainment behemoth, back in the days when she was just a Scouse lass called Priscilla White.
Pope’s script definitely has a touch of the rose-tinted about it but there’s no denying the amazing energy of Liverpool’s music scene in the 1960s that comes across in the first two episodes. Though she has a job as a typist – her mother proudly proclaims “the first in the family to be considered suitable for office work” – Cilla dreams of being a singer and is making quite the name for herself on the club circuit, building a following through club performances with upcoming bands such as a quartet called The Beatles. Continue reading “TV Review: Cilla”
The end-of-year lists of favourite plays and performances should be on their way soon, once the food coma has abated, but to tide you over, here’s my list of 9 of my top moments in a theatre over 2016, the things that first come to mind when someone says ‘what did you enjoy this year’. For reference, here’s my 2015 list and 2014 list. Continue reading “9 of my top moments in a theatre in 2016”
“Things are going to get, now and for the rest of your life, extremely difficult”
Well actually, things are getting easier to watch theatre in different ways and as I leave on holiday for a wee while, I thought I’d round up a few of the current offerings.
Mike Bartlett’s smash hit Wild at Hampstead Theatre was livestreamed yesterday and is available until midnight on Tuesday.
Talawa’s touring production of King Lear is available on the iPlayer (I was a tiny bit disappointed with this to be honest)
And Phoebe Waller-Bridge’s Fleabag has been developed into a TV series – not got round to watching it yet but could well be good
“You have no freedom, no choice, at the moment you don’t even have a passport”
It’s a truth universally acknowledged that Mike Bartlett is one of our finest contemporary writers and so it is pleasing to see that his new play Wild sees his reunite with creatives with whom he has had great success. Director James Macdonald was at the helm of the intense inter-relationships of Cock and designer Miriam Buether has reveled in transforming spaces such as the then-Cottesloe for Earthquakes in London and the Almeida for Game and both are on top form once again here.
At first glance, it might not look like Buether has done much to the Hampstead’s main stage but you can rest assured that she’ll have tipped the world on its axis by the end of the play, and what a fierce play it is. Bartlett has turned his gaze to the realm of information security as he imagines the experience of an Edward Snowden-like figure called Andrew who stuck two fingers up to the state by releasing sensitive data online. Sequestered in a Moscow hotel room on the run, he’s left awaiting his fate. Continue reading “Review: Wild, Hampstead Theatre”
I do aim for a relatively professional standard on this blog but there comes a point in the year when you have to surrender to the pretty and once a year, we get a list of the leading men who have caught my attention one way or another.
And far be it from me to deny my readers as these posts habitually end up being among the most read – or looked at – of the year! Naughty 😉
Continue reading “Leading Man of the Year 2015”
“War has always been the handmaiden of progress”
From its opening moments of buttocks and blood (both belonging to an uncredited Hugh Bonneville if that floats your boat), it’s clear that Da Vinci’s Demons is going to have its fun whilst playing fast and loose with the early life of its subject, Florentine polymath Leonardo Da Vinci. Conceived by David S Goyer and a co-production between Starz and BBC Worldwide, it’s a good-natured romp of a drama series much in the mould of Merlin, Atlantis or the lamented Sinbad but perhaps tied a little closer to reality as it dips in and out of the tangled history of the Italian city states.
And it is its historical connections that serves as a main driver for the technological innovations for which Leonardo is famed and which form the ‘issue of the week’ around which most of the episodes hang. So as Da Vinci climbs into bed with the ruling Medici family, he’s sucked into their political machinations whilst battling rival families in Florence and the ever-present threat of the Catholic Church in Rome. Alongside this sits a more fantastical series-long arc about the mystical Book of Leaves and the Sons of Mithras who believe Da Vinci has only just begun to tap into his true power. Continue reading “DVD Review: Da Vinci’s Demons Series 1”