Series 2 of Silent Witness sees the show quickly slip into the patterns that bristle against the limitations of the format, whilst Amanda Burton warms up a little
“If you’re lucky, you’ll get away with a slap on the wrist and a warning not to get too involved in the future”
And so to series 2 of Silent Witness, Nigel McCrery’s forensic pathology drama, and the return of Amanda Burton’s remarkably chilly Sam Ryan. Perhaps wisely, there was a big swerve away from her family drama, the focus shifting more solidly to the numerous work crises passed her way. The only problem there is that the writers were in no way content to let her just be a pathologist.
“I’m a forensic pathologist. All I’m interested in is the truth”, she cries at one point. But it patently isn’t true, her insistence on playing detective with every single case actually having led to the death of someone innocent last time around (she gets over the trauma of that pretty quickly…) and said behaviour continues apace here, reaching almost parodic levels far too quickly. Continue reading “TV Review: Silent Witness Series 2”
Second Coming makes for an atmospheric if challenging cinematic debut for writer/director debbie tucker green with another cracking lead role for Nadine Marshall
“Have you had any more visions?”
Following her TV adaptation of her own play random, Second Coming sees writer-director debbie tucker green making her big screen debut. And perhaps unsurprisingly, it is an uncompromising artistic statement – again showcasing Black British lives – from this idiosyncratic and intriguing artist.
The film centres on Nadine Marshall’s Jackie, a social worker and mother-of-one who finds herself pregnant despite having been told she couldn’t carry again. Not only that, she hasn’t had intercourse with her husband Mark for quite some time, despite him being Idris Elba. So far so immaculate. Continue reading “Film Review: Second Coming (2014)”
Against a barrage of bad reviews, I tried to give Cats a fair hearing. There may have been wine involved…
“I remember the time I knew what happiness was”
I wanted to like Cats, honest. But…but…everytime you look at a detail in this unexpected horror film, there’s something ungainly or odd that distracts you inordinately:
the scale of the damn thing. The mind boggles as the cats change from being tiny compared to railway tracks to almost human-sized at Nelson’s Column, bringing almost any object into screen ends up pulling focus as you try and work out wtf is going on
why do some of them wear shoes (the ‘street’ cats in trainers, TSwift in heels…?) and of those who don’t, what’s with the toes
in fact the whole anthropomorphic thing. There’s cleavage and six packs but no genitals or anuses. You wouldn’t think it would bother you so much but there’s so many lingering shots of these places…!
the dancing cockroaches in danger of being eaten. Whyyyyyyyy?!
it’s rather amusing that pretty much every reaction shot of Dench is her looking aghast, we know how you feel Judi
An unfortunate waste of talent all-round I’m afraid.
“This is a true story, but except for my own, I’ve changed all the names and I’ve done my best to obscure identities for reasons that’ll become clear.”
Directed by Aaron Sorkin, Molly’s Game centers on the real-life memoirs of Molly Bloom, the “poker princess” who rubbed shoulders with Hollywood’s elite while hosting underground games in the basement of clubs and at the homes of her wealthy clients. It’s a poker movie that appeals to the masses, and while the action often takes place at the tables, it’s Molly’s life that is the focal point of the film.
Released in December 2017, Molly’s Game is a story of feminine power and ruthless intelligence, and any viewer who didn’t know better would think they were watching complete fiction. But director Sorkin, who won an Academy Award for directing The Social Network, as well as being well-known for screenwriting plays such as A Few Good Men, sticks closely to Bloom’s memoirs, in addition to drawing on his interviews. What we get is as close to an accurate account of Molly Bloom’s life, and even the seemingly sensationalized moments involving death threats from Russian mobsters draw right from Bloom’s own accounts. Continue reading “Film Review: Molly’s Game “
Luther Series 5 aka the one that maybe goes too far?
“Can we do that? ‘Within parameters…'”
Not quite flogging a dead horse yet, but the much anticipated fifth series of Lutherindulges its title character far too much in the name of shocks and thrills, whilst simultaneously begging us not to misunderstand him, Nina Simone’s glorious voice plays out over the violent wreckage of the final scene.
As a crime drama, Neil Cross’ Luther really does manage to come up with inventively appalling serial killers and attackers that seem design to lurk in nightmares (the bus murder here…). But it is also increasingly tied up in the mythology of the show itself, the design here clearly aiming for some kind of apotheosis. Continue reading “TV Review: Luther Series 5”
Idris Elba – Luther as DCI John Luther (BBC One)
Stephen Graham – This Is England ’90 as Andrew “Combo” Gascoigne (Channel 4)
Mark Rylance – Wolf Hall as Thomas Cromwell (BBC Two)
Ben Whishaw – London Spy as Daniel “Danny” Edward Holt (BBC Two)