Featuring the prime of the most excellent Lia Williams, The Prime of Miss Jean Brodie is an undoubted success for the Donmar Warehouse
“Miss Mackay thinks to intimidate me with quarter-hours”
Everyone has that teacher that they never forget. Sometimes it’s because they were brilliant, sometimes it’s because they bent the rules, sometimes it’s because they were so bloody-minded that they remain so unforgettable. For the selected few pupils of Edinburgh’s Marcia Blaine School for Girls who found themselves in the orbit of the entirely charismatic Miss Jean Brodie, it’s all three reasons at the same time that are destined to make her such an iconic figure in their schooling.
Based on the novel by Muriel Sparks, David Harrower’s new stage adaptation of The Prime of Miss Jean Brodie not only marks the 100th anniversary year of Spark’s birth but provides a scorchingly fantastic opportunity for Lia Williams to inhabit the title role so fully as to sit proudly aside Maggie Smith’s Oscar-winning performance in the 1969 film. It’s a stunning piece of acting – elevated by stunning wig and costume work – that captures so much of that beguiling power that a teacher can possess. Continue reading “Review: The Prime of Miss Jean Brodie, Donmar”
It looks like Josie Rourke is getting a little demob happy at the Donmar, as her penultimate season as artistic director sees a fresh twist on gender swapping that feels like a genuine first. Hayley Atwell and Jack Lowden will star in a new production of Shakespeare’s Measure for Measure in which they will alternate the roles of Isabella and Angelo, midway through the show. Heaven knows how it will work but Lord knows I can’t wait to find out.
Brian Friel’s Aristocrats, directed by Lyndsey Turner, is also added to the slate, and this will be Turner’s fourth staging of a Friel play after Faith Healer, Philadelphia, Here I Come! and Fathers and Sons. The cast includes Elaine Cassidy, Daniel Dawson, David Ganley, Emmet Kirwan, Aisling Loftus, Ciaran McIntyre and Eileen Walsh. Continue reading “News: Casting for 2018 Donmar season”
“The world’s gone all strange”
For better or for worse, the aspect of Fiona Doyle’s new play Deluge that lingers most in the mind is Moi Tran’s design. Continuing a trend of adventurous transformations of the downstairs space at the Hampstead, she has flooded the stage calf-deep – appropriately so for a drama so preoccupied with adverse weather conditions – with platforms at either end and a table and chairs perched on a box placed in the middle of the water. A striking choice but not one without its trials as soon became clear once the audience had taken their place in the traverse seating.
For there’s a fair amount of stomping about from one end to the other, especially in the earlier stages of the play, and consequently splashing galore, given how intimate this theatre is. A little advance warning might have been appreciated – given a couple of the disgruntled faces I suspect a stern letter of complaint or two might well be on the way! – but more significant than any amount of damp patches on your handbag is how distracting the noisy reality of wading through the water proves to be throughout the play. Continue reading “Review: Deluge, Hampstead Downstairs”