Since it is the season of goodwill to all men, I’m not going to belabour the point that it is a shame that ‘musicals’ have been lumped together as a category here, whereas the likes of Pinter and Kane got their own specials, whither Sondheim, Herman and Tesori. Still, it’s lovely as ever to stretch back over years of musical theatre productions to see some of Tristram Kenton’s most iconic shots for the Guardian:
Photos: Tristram Kenton
Full of shocks that actually mean something, Series 5 of Spooks is one of its absolute best
“The British people will accept anything if you serve it up with a picture of Will Young in the shower”
A cracking series of Spooks that starts off with a series of bangs, robbing Colin of his life and Juliet Shaw of her ability to walk, the introduction of Ros Myers to the team is an invigorating success, particularly as she inspires Jo to become more badass too. This incarnation of the team really does click well, responding smoothly to the enforced changes in personnel, though newly single father Adam’s mental health crisis too often feels like a plot device rather than a genuine exploration of PTSD.
Subject-wise, the relevance level remains high, particularly pertinent when it comes to national crises with panic buying and over-stuffed hospitals feeling all too real. The role of fundamentalist zealots is shared equally between Christian and Islamic believers over the series and even if the finale underwhelms somewhat, the eco-terrorism theme hasn’t become any less significant.
I’m still not over it, the defenestration of Ruth Evershed. Having finally made it to a date with Harry, which went about as well as could be expected, she runs up against a murderous Oliver Mace conspiracy and ends up having to fake her own death to protect Harry and ends up fleeing the country. An ignominious end for the heart of the team. Continue reading “Lockdown TV Review: Spooks Series 5”
“I’ve seen many things, my friend. But you’re right. Nothing’s quite as wonderful as the things you see”
So as David Tennant’s Ten regenerates into Matt Smith’s Eleven, Doctor Who also changed showrunner/lead writer/executive producer/oddjob man as Steven Moffat took over the reins from Russell T Davies. The pressure was on both to deliver – the relatively unknown Smith had low expectations, Moffat had sky-high ones due to his much-garlanded writing – and I don’t think you can argue that they didn’t. Smith revealed an impossibly ancient soul to his youthful frame with a Doctor unafraid to be as angrily dark as hyper-actively quirky. And Moffat constructed a complex series, introducing the depths of new companion Amy Pond slowly, and building to a multi-stranded timey-wimey finale that makes the head hurt just to think about it.
Elsewhere, the overused Daleks returned in multicoloured format, the Weeping Angels were much more successfully reprised in a stonking double-header, the Silurians also came back, and Arthur Darvill’s Rory grew in stature to become an effective second companion as opposed to a third wheel. Oh, and Helen McCrory stole the show, but then you knew I’d say that didn’t you 😉 Continue reading “Countdown to new Who: Doctor Who Series 5”
Best New Play
Harry Potter and the Cursed Child – Palace
Elegy – Donmar Warehouse
The Flick – National Theatre Dorfman
One Night in Miami – Donmar Warehouse
Best New Musical
Groundhog Day – The Old Vic
Dreamgirls – Savoy
The Girls – Phoenix
School of Rock – New London
Yerma – Young Vic
The Glass Menagerie – Duke of York’s
This House – Garrick
Travesties – Apollo Continue reading “2017 Laurence Olivier Awards nominations”
“Everything’s just a bit wider apart”
On the second day of Christmas, Black Mirror gave to me…two lovelorn kids
Fifteen Million Merits takes place in a fiercely satirical version of our entertainment culture, where appearing on reality TV is king and everyone else is trapped in a factory-like environment where they must cycle for hours on end to generate all the electricity needed. Forced to watch inane crap on the screens that constantly surround them, their activities are frequently interrupted by adverts, just like on the Channel 4 player!
Daniel Kaluuya’s Bing has inherited 15 million merits from his brother on his passing and decides to use them to enter Jessica Brown Findlay’s Abi into Hot Shots, the X Factor-like show with a scarily vacuous Julia Davis and a sinister Cowell-a-like Rupert Everett. This is the only route out of their slave-like existence but sure enough, nothing is as simple as it seems and as ever, you have to be careful what you wish for. Continue reading “12 Days of Christmas – Black Mirror 1:2”
Stage Faves, the pioneering social media directory for musical theatre fans, has launched several new ranges of fan merchandise, just in time for Christmas. All designs are available across women’s and men’s t-shirts as well as hoodies, canvas tote bags and mugs.
Stage Faves is a fresh concept in musical theatre community building, connecting fans, performers and shows with each other and all the 24/7 social media content they want in one place. At its heart is a database of more than 2,000 musical theatre performers – Alfie Boe to Zoe Doano and every letter in between – that pulls together all of their public social media feeds into a single profile page for fans. Continue reading “Festive news #4 – #StageFaves launches new musical merchandise”
“Wreck your room and rip your jeans.
Show ‘em what rebellion means”
The 2003 Jack Black-starring film School of Rock was a big success, trading off its stock talent show plot device with genuine rock music credentials in a soundtrack full of the likes of AC/DC, Led Zeppelin and The Doors. So it was a little bit of a surprise to find that Andrew Lloyd-Webber decided to adapt it into an original musical – his version of rock is certainly not the same as that espoused by Dewey Finn, School of (Pop-)Rock perhaps.
But one sticky moment aside (where a snippet of Stevie Nicks’ Edge of Seventeen sits awkwardly alongside a rock ballad ‘Where Did the Rock Go?’ exposing the contrast between the two kinds of rock), this School of Rock is a cheerily appealing slice of musical theatre. And with a seemingly endless role call of talented youngsters who, as we’re reminded at the beginning and the end of the show, play all their own instruments live, shows off a wealth of emerging British musical theatre talent. Continue reading “Review: School of Rock, New London”
“Ask me no questions and I’ll tell you no fibs”
Oliver Goldsmith’s 18th century comedy She Stoops to Conquer was last seen at the National Theatre in 2002 in an Out of Joint co-production, but has now been revived by the seemingly tireless Jamie Lloyd with a star-studded ensemble dripping with talent, both established and new, and breathing an entirely fresh energy into the Olivier theatre.
This comedy of manners centres on the Hardcastle clan, a family of means in the country: daughter Kate is due to be married off to young Marlow, the son of a friend of Mr Hardcastle’s but she is determined to ensure the match is to her liking; Mrs Hardcastle is determined to have her heiress ward Miss Neville married off to her own son Tony in order to keep her fortune in the family though Miss Neville’s attentions are focused on Marlow’s friend Hastings. But when Marlow and Hastings get lost on their way from London and end up in a bawdy inn frequented by Tony, he espies an opportunity to make mayhem and sets in chain a series of mischiefs, misunderstandings and mistaken identities as convoluted courtships and class differences collide in the countryside. Continue reading “Review: She Stoops to Conquer, National Theatre”
“Can I get a definition please?”
A musical comedy at the Donmar? From the moment you enter the auditorium and see how Christopher Oram’s design has been translated down to the tiniest of details to create a school gymnasium, it is clear we’re in for something different and The 25th Annual Putnam County Spelling Bee, a self-confessed scratching of an itch to do something fun for director Jamie Lloyd, is just that. Based around the tradition of spelling competitions at US high schools, it follows a group of six kids aiming to win this contest and qualify for the place at the national final. It also takes the step of inviting audience participation, four people were selected to take part and so the first third of the show is taken up with the early rounds of the competition and the increasingly amusing ways in which they made sure that timely exits were secured from the newcomers.
Originally conceived by Rachel Feldman and with music and lyrics from William Finn (I’ve never seen any of his shows, but a song from Falsettoland, What More Can I Say, is fast becoming a cabaret staple – Simon Burke, Reed Sinclair and London Gay Men’s Chorus just last year – and is utterly gorgeous) and book by Rachel Sheinkin, the show takes the form of a spelling competition but as each child takes their turn to spell, a flashback gives us the opportunity to learn more about these characters, their youthful angsts and ambitions as they struggle to decide who they really are in a world that doesn’t consider them normal. This was a preview performance from Tuesday 15th February, watched in the midst of a large group, not all of whom I sadly got the chance to talk to. Continue reading “Review: The 25th Annual Putnam County Spelling Bee, Donmar Warehouse”
My intention is, honestly, to see less theatre this year and try and regain some semblance of a normal life again on the odd evening. But the curse of advance booking and grabbing cheap(er) tickets whilst you can has meant that there’s already an awful lot of theatre booked for 2011. Some have been booked without a huge deal of enthusiasm, but others have a dangerous amount of anticipation attached to them…and so I present to you, the shows I am most excited about seeing this year (so far).
Antonioni Project – Toneelgroep Amsterdam at the Barbican
The Roman Tragedies was hands down one of the most exhilarating and refreshing theatrical experiences of 2009 and possibly my life, I’m even headed to Amsterdam in May to see a surtitled production of their Angels in America. So when I heard that the same Dutch theatre company were returning to the Barbican in February, tickets were booked instantly and I am feverishly over-excited for this now! Continue reading “Shows I am looking forward to in 2011”