Theatrical archaeology meets real archaeology in Hoard – Rediscovered as the New Vic Theatre revisit their Staffordshire Hoard Festival for the streaming age
“The archaeologists have of course found no evidence of dragons”
After a weekend immersed in the plummy accents of The Crown, it was wonderfully refreshing to counter-balance that with the everyday cadences of blessedly much more regular folk in Hoard – Rediscovered. Staffordshire’s New Vic Theatre has a rich tradition of verbatim work and with this characterful addition to theatre’s necessary shift to the streaming world, there’s quite the digital treasure trove in store.
Hoard – Rediscovered sees the New Vic revisit their 2015 Staffordshire Hoard Festival, a celebration of new writing focused on the remarkable discovery of a mighty hoard of Anglo-Saxon gold in a field in 2009. Written and directed by New Vic artistic director Theresa Heskins, Unearthed is a verbatim docu-drama that shifts the attention away from the thousands of pieces of treasure to focus on the stories of the real people whose lives it impacted. Continue reading “Review: Hoard – Rediscovered”
A particularly gutting one this, as Francesca Martinez’s debut play All of Us would have marked a key moment for disabled voices at the National Theatre. À tout à l’heure…
Just look at them:
And just listen to her:
This is definitely a play that we have to make room for once things are up and running again.
For All of Us
You can follow the playwright Francesca Martinez on Twitter here or explore her website here
You can purchase the playtext from Nick Hern Books soon
And the show’s details can be found on the NT’s website here
For the National Theatre
You can follow the theatre on Twitter here
You can look at the different ways of supporting the NT here
And you can sign up to their mailing list here to get any announcements about future plans, once the dust finally settles
Photo: Spencer Murphy. Art direction and design by National Theatre Graphic Design Studio
Jessie Buckley and Josh O’Connor headline a new production of Romeo and Juliet, while Callum Scott Howells and Rosie Sheehy star in Gary Owen’s Romeo and Julie, among other big news from the National Theatre
Simon Godwin returns to the National Theatre to direct Shakespeare’s ROMEO & JULIET following his critically-acclaimed productions of Antony and Cleopatra and Twelfth Night in the Olivier Theatre. Set in modern Italy in a world where Catholic and secular values clash, Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Country) play the two young lovers who strive to transcend a world of violence and corruption. Fisayo Akinade (The Antipodes, Barber Shop Chronicles) is cast as Mercutio. The production will open in the Olivier Theatre in August 2020.
Set and costume design by Soutra Gilmour, lighting design by Lucy Carter, composition by Michael Bruce and sound design by Christopher Shutt. Continue reading “News: new productions and casting updates for the National Theatre”
“Do poets get to be happy?”
It’s a rare production that really makes you sit up and pay attention but from the moment the percussive handclaps mark the beginnings of Kristiana Rae Colón’s ferocious new play Octagon, its unique energy electrifies the stage of the Arcola. Set in the world of slam poetry, 8 young Chicagoans prepare for lyrical battle but out on the streets of contemporary America, the struggle is painfully real as issues of race, gender and class characterise an inequality they can only protest by using their words.
And what words. Colón hooks her first half around the competition for a much-vaunted spot on Chimney, Chad and Palace’s team as five hopefuls take to the stage to deliver three minutes of poetry to win enough points from the judges. Watched over by Estella Daniels’ utterly magnificent compere who does a magisterial job in working the audience, subjects from Malala to Miley and racial profiling to the sexual gaze rattle round the theatre in some truly mesmerising and memorable performances. Continue reading “Review: Octagon, Arcola Theatre”