Remember remember the fifth of November but Treasonis coming in March… Ricky Allan and Kieran Lynn’s new musical will be premiering live online from Cadogan Hall from 12th-14th March and it is now revealed its cast. alongside a creative team with direction by Hannah Chissick, musical supervision by Nick Pinchbeck and orchestration by Matthew Malone.
The company includes Lucie Jones (Legally Blonde, Waitress), Oliver Tompsett (& Juliet, Kinky Boots), Daniel Boys (Falsettos, Nativity Rocks!), Waylon Jacobs (Hamilton, Memphis), Bradley Jaden (Les Misérables, Wicked), Emmanuel Kojo (Oklahoma!, Show Boat), Rebecca LaChance (School of Rock, Beautiful), Cedric Neal (Chess, Memphis), Sharon Rose (Hamilton, Caroline Or Change) with Debris Stevenson (1st Luv, Poet in da Corner) as the show’s narrator. Continue reading “Musical news to brighten up a February day”
Episode Two of The Theatre Channel takes its Halloween theme and has a ball with it, with brilliant performances from the likes of Linzi Hateley, Jordan Shaw, Bradley Jaden and Sophie Isaacs
“It’s a matter of time before London belongs to us”
After a highly successful debut, Episode 2 of The Theatre Channel arrives and things have gone a bit Strictly with a theme week. Natch it is Hallowe’en that acts as a linking thread between the performances here but unlike Strictly, it is pleasingly effective as the production design (by Gregor Donnelly) gets to play with a more cohesive visual language across the show (credit too to director Bill Deamer and DP Ben Hewis), and the song selection gets to go a bit dark and dramatic.
That’s not to say that there’s not a variety of tone here. As befits this holiday, there’s a healthy dose of camp as a CGI-enhanced Ria Jones casts her spell over Into the Woods’ ‘Last Midnight’ and the camp drama of Frank Wildhorn’s ‘Life After Life’ from Dracula the Musical is well served by the relatively straight bat and sensational voices of Bradley Jaden and Sophie Isaacs. The same goes for Josh Piterman’s dangerously seductive take on ‘The Confrontation’ from Jekyll and Hyde. Continue reading “Review: The Theatre Channel – Episode Two”
Featuring the likes of Jenna Russell, Matt Henry and Carrie Hope Fletcher, Episode 1 of The Theatre Channel is a roaring success
“Believe me, my admiration for you hasn’t died”
As big question marks remain over if and when theatre doors will start opening again, the move to online delivery of musical theatre has taken an interesting turn with the arrival of The Theatre Channel. It is officially described as a web series but it is basically a musical theatre version of classic Top of the Pops online, ie heaven!
Set on location in (and on top of) The Theatre Café, the first episode was a slick half hour of cracking entertainment that really gladdened the heart. Director Bill Deamer offers a slice of real variety across its six numbers but also maintains a high level of quality, right down to the witty timing of the snippets of choreography he introduces via the inhouse ensemble. Continue reading “Review: The Theatre Channel – Episode One”
A series of concerts streamed direct from the West End benefitting the ENO Contingency Fund
Featuring: Sharon D Clarke, Kerry Ellis, Carrie Hope Fletcher, Cassidy Janson, Ramin Karimloo, Sharon Sexton & Rob Fowler
With:After You: a new musical by Alex Parker & Katie Lam, starring Bradley Jaden & Alexia Khadime
Creative Supervisor: Annabel Mutale Reed
Lighting Design: Ian Jackson-French
Sound Design: Adam Fisher
Associate Sound Design: Ollie Durrant
Community Outreach Coordinator: Rosanna Pryor
Producer: Jack Maple & Brian Zeilinger for Take Two Theatricals
Co-Producer: Jamie Chapman Dixon & John-Webb Carter for Carter Dixon Productions
CLICK HERE TO BE THE FIRST TO KNOW ABOUT WHEN TICKETS WILL GO ON SALE
I revisit long-runners The Mousetrap, Les Misérables and Wicked, and come to a decision (of sorts) about the future of this blog
“Here’s to you and here’s to me”
Well 2019 has been an interesting year so far and one full of significance – I’ve turned 40, this blog has turned 10 and it’s all got me in a reflective mood. Personally, professionally, is this what I want to be doing? Do quote a Netflix show I haven’t even seen, does all this bring me joy…? Over the last couple of weeks, I’ve revisited a few long-running shows in the West End to consider what cost longevity.
The longest running show in the West End is The Mousetrap – 66 years old with over 27,000 performances and their answer to keeping going is to not change a single bit – has the show even ever cast a person of colour? My limited research suggests not… On the one hand, it’s a policy that does seem to have worked and that record is a mighty USP, although does the number of empty seats at the St Martin’s that afternoon suggest a waning of interest finally? Continue reading “Blogged: long-running shows and long-running blogs – what does the future hold”