News: & Juliet sets re-opening date and reveals new cast members

The award-winning musical & Juliet – which had been thrilling audiences before the closure of theatres last March – will return to the Shaftesbury Theatre from Friday 24 September.

Miriam-Teak Lee – who was awarded the Olivier Award for Best Actress in 2020 for her performance as Juliet – leads a cast including Cassidy Janson, who also won an Olivier Award for Best Supporting Actress for her portrayal of Anne Hathaway, Oliver Tompsett as William Shakespeare, David Bedella, who also won an Olivier Award for his performance in the show as Lance, Jordan Luke Gage as Romeo, Melanie La Barrie as Nurse, and Tim Mahendran as Francois. Alex Thomas-Smith will be joining the principal cast in the role of May. Continue reading “News: & Juliet sets re-opening date and reveals new cast members”

10 of my top moments of the decade

Ever behind the curve, I present 10 of my top moments in a theatre over the last ten years (plus a few bonus extra ones because whittling down this list was hard, and it will probably be different tomorrow anyway!)

© James Bellorini

Extraordinary Public Acts for a National Theatre

The establishment of the Public Acts programme at the National Theatre offered up something sensational in Pericles, an initiative designed to connect grassroot community organisations with major theatres, resulting in a production that swept over 200 non-professional performers onto the stage of the Olivier to create something that moved me more than 99% of professional productions.  A truly joyous and momentous occasion. 

Honourable mention: this year’s musical take on As You Like It proved just as heart-swellingly beautiful over at the Queen’s Theatre Hornchurch. Continue reading “10 of my top moments of the decade”

The Curtain Up Show Album of the Year 2019 nominees

You can now vote for the Best London Cast Recording, Best Broadway Cast Recording and Best Solo Album here. Then fill in your details and click Vote and one lucky voter will win £100 worth of Theatre Tokens!

Best UK Cast Recording
& Juliet – Original London Cast Recording
Company – 2018 London Cast Recording
Follies – 2018 National Theatre Cast Recording
Heathers (Original West End Cast Recording)
The Secret Diary of Adrian Mole Aged 13 ¾ – 2019 Original London Cast
Tina – The Tina Turner Musical Original Cast Recording

Best American Cast Recording
Beetlejuice (Original Broadway Cast Recording)
Hadestown (Original Broadway Cast Recording)
Jagged Little Pill (Original Broadway Cast Recording)
Moulin Rouge (Original Broadway Cast Recording)
Oklahoma! (2019 Broadway Cast Recording)
Tootsie (Original Broadway Cast Recording)

Best Solo Album
Cassidy Janson – Cassidy
Ramin Karimloo – From Now On
John Owen-Jones –Spotlight
Ben Platt – Sing To Me Instead
Jon Robyns – Musical Directions
Hayden Tee – Face to Face

Review: & Juliet, Shaftesbury Theatre

Late 90s pop is always my jam so a musical that features it is always going to be a winner. The brilliant & Juliet is so much more besides as well though, don’t miss it at the Shaftesbury Theatre.

“You hear my voice, your hear that sound
Like thunder, gonna shake the ground”

What if Juliet didn’t die? And what if the writer and producer of some of the most iconic pop music of the last two decades (think Britney, Backstreet Boys, Céline, Katy Perry, Robyn, Kelly Clarkson, P!nk just to name a few) decided to lend his back catalogue of songs to a new musical dedicated to her? The result is & Juliet, a slice of energetic and hugely entertaining musical theatre that explodes with joy at the Shaftesbury Theatre. 

David West Read’s smartly self-aware book employs a metatheatrical twist as we open with William Shakespeare and Anne Hathaway having a barney about the ending to his latest play Romeo and Juliet and she persuades him to give her a bash at writing a new one with him. Thus we pick up in Verona where Juliet reclaims ‘…Baby One More Time’ from Darius and declares her intention to flee to Paris with her best gal pals and flirt with some foreign guys. But as William and Anne tinker with their plotting, the fractures in their own relationship come to the fore, causing some major new plot twists. Continue reading “Review: & Juliet, Shaftesbury Theatre”

Album Review: & Juliet (Original London Cast Recording)

Capturing so much of effervescent fun of the show, the Original London Cast Recording of & Juliet should be on everyone’s Christmas list

“Pretty, pretty please, don’t you ever ever feel
Like you’re less than f**kin’ perfect

When it comes to jukebox musicals, cast recordings can be a little hit and miss, depending on how the albums thrive (or otherwise) divorced from their theatrical contexts. Fortunately with & Juliet, a show I absolutely adored, the result is definitely more hit than miss. Having seen the show, it is a fantastic counterpart to my memories and every time I listen to it, it spurs me to look at ticket availability and ask myself how many times is enough…

The vibrancy of the production translates surprisingly well onto disc. The raucous energy of ‘Blow’ is one giant party, you’ll never hear ‘It’s My Life’ the same way again and the mash-up of ‘Problem’ and ‘Can’t Feel My Face’ remains an absolute standout, anchored by Miriam Teak-Lee’s confident delivery and Jordan Luke Gage’s pop freshness. Teak-Lee really is superb throughout, power and passion invested in every song, treating Max Martin’s with the artistic integrity it thoroughly deserves. Continue reading “Album Review: & Juliet (Original London Cast Recording)”

Review: In The Heights, King’s Cross Theatre

 

“Since when are Latin people scared of heat?”

There’s something about a really good musical that makes it a pleasure to go back and revisit and so it is with In The Heights, its fresh contemporary edge hugely exciting to witness and so full of visual and lyrical interest that re-viewing brings up many things that I missed first time round. My 5* review for Cheap Theatre Tickets can be read there and I urge you to book as soon as possible, if only because Victoria Hamilton-Barritt is getting increasingly pregnant (funny how that happens!) and she is unmissable in the role of Daniela (although equally, it will be interesting to see how whoever covers the role performs it once she leaves).

Running time: 2 hours 30 minutes (with interval) 
Photo: Robert Workman
Booking until 3rd January

Review: In The Heights, King’s Cross Theatre

“Well you must take the A Train
Even farther than Harlem 
To northern Manhattan and
maintain 
Get off at 181st, and
take the escalator 
I hope you’re writing this 
Down, I’m gonna test ya later” 

Lin-Manuel Miranda’s stock could not be higher with his new show Hamilton taking Broadway by storm so it’s an apposite time for this belated transfer of his earlier musical In The Heights, with book written by Quiara Alegría Hudes. Undoubtedly one of the best shows of 2014, Luke Sheppard’s production blew the roof off the Southwark Playhouse and is now poised to do the same at the King’s Cross Theatre with many of the original cast and creatives returning to give us a slice of life from the New York Hispanic community of Washington Heights. 

Nothing has been lost in the move, the whole production just sparks with vivid life. From takis’ effective sidewalk design (now with added movable fire escape) to the pure joy of Drew McOnie’s choreography, the reconfigured staging releases a newer, raw energy that blooms into the space. And with Gabriella Slade’s day-glo bright costumes, the vibrant splashes of Howard Hudson’s lighting and the crispness of Gareth Owen’s sound design, complemented well by Phil Cornwell’s musical direction, Sheppard keeps the show firing excitingly at full throttle throughout. Continue reading “Review: In The Heights, King’s Cross Theatre”

Review: Cats, London Palladium

“These modern productions are all very well…”

Taking your seat in the Palladium to see the musical theatre behemoth that is Cats – now 33 years old and receiving a 12 week revival here in one of Andrew Lloyd Webber’s own theatres – is an act of strangely calculated nostalgia. Famed for being one of the longest-running shows both on Broadway and the West End, its feline frolics remain entirely evocative of the 80s and as it reunites the original creative team – director Trevor Nunn, choreographer Gillian Lynne, designer John Napier – that should come as little surprise.

For those unfamiliar with the show, it was actually a feat of some daring. A through-sung, through-danced piece with no real narrative, save that taken from T.S.Eliot’s book of whimsical poetry, Old Possum’s Book of Practical Cats. In essence, we meet the key characters of a tribe of cats who have gathered in a junkyard for a special night where one of them will be selected to be reborn into a new life in cat Heaven (or more accurately, be part of a rather dodgy bit of stagecraft, almost as naff as those cats’ eyes at the beginning).

Continue reading “Review: Cats, London Palladium”