“The clock will tick away the hours one by one”
‘A French romance that just happens to be sung’ is the subtitle to Kneehigh’s adaptation of the 1964 film The Umbrellas of Cherbourg which has arrived at the Gielgud Theatre, following their hugely successful take on Brief Encounter a couple of years ago. The story is boy meets girl, they fall in love but he gets called to national service in Algeria, but she is…well, I can’t give it all away, but it is a nicely mature look at the ebb and flow of love and romance which rarely runs as smoothly as we would all like.
Perhaps predictably, the show is full of Kneehigh-isms, the tricks and stagecraft for which they have become so well-known, but perhaps with diminishing returns in this instance. We have finger-walking people, freaky puppet children, sailors carrying people around when they want to go somewhere, a man (badly) dragged up as the elderly aunt, a swish-looking video wall: all are professionally done, but hardly any of them feel genuinely part of the fabric of the show, an integral part of the story-telling and so consequently the feeling is often of ‘we know how to do it, so we will’. The video wall is really effective in the way it is employed but it is for the briefest of moments only and I couldn’t help wonder if the focus shouldn’t have been more on keeping the ticket prices down. Continue reading “Review: The Umbrellas of Cherbourg, Gielgud”