“It’ll be bad for other people”
Like a Rubik’s Cube forever going wrong, Megan’s memory – ravaged by early onset Alzheimer’s – keeps shifting and reforming itself in endless configurations that don’t quite work. And so in Nicola Wilson’s Plaques and Tangles, we see her at different ages, skittering from 21 to 47, juddering between 32 and 27, her very sense of self fractured by a cruelly progressive disease which in her darkest moments, leaves her unaware if she is even awake or hallucinating in the traverse cocoon of Andrew D Edwards’ set design.
This is made more poignantly powerful by the fact that she has a family, two kids and a husband who suffer alongside her but more often isolated from her as the wife and mother they love becomes harder to find. And with the disease having a high genetic propensity, Wilson’s play probes into the messy ethics of early diagnosis – we first meet Megan on the day she discovers she has a 50-50 chance of developing it – which just happens to be on her hen night – but becomes ambivalent once given the chance to find out for sure. Continue reading “Review: Plaques and Tangles, Royal Court”