TV Review: The Capture

Lia Williams is all kinds of caustic brilliance in conspiracy thriller The Capture

“Accepting you can rarely see the whole picture is part of the job”

I’m working my way through the TV shows I can watch on my free trials on various services, which has lead me to The Capture which aired on BBC1 in late 2019 and somehow completely passed me by. This is particularly egregious since it features Lia Williams the kind of amazing top boss role that makes you wonder why she isn’t better known.

Created, written and directed by Ben Chanan, The Capture takes place in a surveillance state that not too long ago would have been described as a near-future dystopia but now, is just London on a Tuesday. In a society that closely monitors CCTV, so much of justice depends on the reliability of those camera image. But what happens when that confidence is eroded? Continue reading “TV Review: The Capture”

Lockdown TV Review: Spooks Series 7

In which the rollercoaster of quality rockets sky-high again, Series 7 of Spooks ranks as one of my favourites

“I want my team to know why I acted the way I did”

The introduction of series-long plots didn’t necessarily work first time round for Spooks but in Series 7, the magic certainly happens to produce one of the best seasons across its decade-long life. Perhaps the reduced episode order from 10 to 8 helped to refine the effectiveness of the storytelling, recognising that it was Adam’s time to go definitely worked and finally made the right kind of room for Ros to rise, and giving Gemma Jones this material was an absolute masterstroke. 

Undoing the silly fakeouts of Ros and Jo’s ‘deaths’ right from the off, the introduction of Richard Armitage’s Lucas North also works well, his time in Russian captivity casting a nice shade of doubt over his presence in the team, a marked difference to the alpha males of Tom and Adam. And the ongoing Sugarhorse mystery is skillfully wound throughout the whole season, coiling ever-tighter until the hammer blows of a properly fierce finale. 

Nicola Walker-ometer
She’s just a distant memory at this point – Harry really is such a fuckboy. Continue reading “Lockdown TV Review: Spooks Series 7”

Film Review: Peterloo (2018)

I wanted to like Mike Leigh’s Peterloo, I really did…

“You must be famished coming all the way from Wigan”

I’ve been a big fan of Mike Leigh’s film work, since discovering it in the last decade or so, and loved his last film Mr Turner. So news of his return to period drama, albeit through his idiosyncratic process, in Peterloo was a plus for me. The reality though is an epic that proved a real slog for me, even boring by the end. Continue reading “Film Review: Peterloo (2018)”

Review: Faith, Hope and Charity, National Theatre

A blistering indictment of austerity and what it has done to all of us, Faith, Hope and Charity is unmissable at the National Theatre

“When we’re hungry, we go to sleep”

A time when the much-abused sobriquet state-of-the-nation is actually entirely appropriate, Alexander Zeldin completes his excoriating triptych of plays about modern Britain with Faith, Hope and Charity. Beyond Caring looked at zero hour contracts and Love homeless hostels, Zeldin now turns his focus onto community centres and their role in holding society together.

As before, there’s little that is inherently ‘dramatic’ in Zeldin’s play, rather scenes are episodic and lean heavily into naturalism – silences as tables are put off, dialogue that interrupts and tails off but rather than feeling empty or clumsy, the cumulative effect is one of deep rumination. And such is Zeldin’s skill, you can’t help but ponder the state of the nation from the seemingly smallest of incidental details as presented here. Continue reading “Review: Faith, Hope and Charity, National Theatre”

TV Review: Chernobyl

In its exploration of the human stories around the nuclear accident, Craig Mazin’s mini-series Chernobyl is simply superb

“You are dealing with something that has never happened on the planet before”

Yeesh! TV dramas surely don’t have the right to be as good as Chernobyl, particularly when they’re ostensibly about such grimly horrific a topic as this,  But as creator, writer, and executive producer Craig Mazin has adroitly identified, the 1986 nuclear disaster – and the human impact it had on those closest to it – is relatively under-explored, in mainstream Western culture at least. 

Chernobyl seeks to explain what happened on that fateful day, and its terrible aftermath, on two distinct levels. Focusing in on the microlevel, we follow stories such as those of the power station workers, the first responders, the people who watched the fire burn up close. But it also takes a strategic look at the Soviet system at large, tracing the institutional problems that allowed it to happen.

Continue reading “TV Review: Chernobyl”

News: the National Theatre announces 15 new productions for 2019 and 2020

So much goodness! The National Theatre have just announced details of productions stretching deep into 2020, and with writers like Lucy Kirkwood, Kate Tempest, Roy Williams and Tony Kushner, and actors like Lesley Manville, Maxine Peake, Conleth Hill, Cecilia Noble and Lesley Sharp, it is hard not to feel excited about what’s ahead.

Olivier Theatre 

Following a sell-out run at Rose Theatre Kingston, the acclaimed two-part adaptation of Elena Ferrante’s MY BRILLIANT FRIEND by April De Angelis is reworked for the Olivier stage by Melly Still (Coram Boy). When the most important person in her life goes missing without a trace, Lenu Greco, now a celebrated author, begins to recall a relationship of more than 60 years.  Continue reading “News: the National Theatre announces 15 new productions for 2019 and 2020”

Review: Gundog, Royal Court

“Just make them shag each other and sell all the littluns to rich people who want pets of something”

There’s something unremittingly bleak about Simon Longman’s Gundog that makes it a real challenge. It’s an impressively bold depiction of the complete decline of a way of life, the kind of rural farming that the Common Agricultural Policy hasn’t managed to reach and protect. None of the loneliness or impoverished desperation is spared in what can feel a tad like punishment by the end. 

After the death of their parents, and with their grandfather’s illness and their brother’s listlessness, sisters Anna and Becky find themselves landed with the thankless task of looking after the remotest of farms in an area that can’t even sustain a local pub. The arrival of a foreigner with a nifty line in knitwear is a rare harkening of the potential of change but we’re never allowed to forget that times really are tough.   Continue reading “Review: Gundog, Royal Court”

TV Review: The Crimson Petal and the White

A strong cast can’t persuade me about literary adaptation The Crimson Petal and the White

“Here, people go to sleep as soon as the gin takes effect”

This TV adaptation of Michael Faber’s 2002 novel dates back to 2011 but despite having the kind of cast that normally attracts me like a moth to a flame, I never quite got round to watching The Crimson Petal and the White. And in all honesty, I should have stuck with my initial sixth sense…

Set in the seedy underbelly of Victorian London, the story follows Romola Garai’s courtesan Sugar and the relationship she develops with feckless perfume heir William Rackham, a persuasive Chris O’Dowd. From a flop of a first night, he soon becomes entirely infatuated with her, not letting the fact that he has a mentally ill wife get in the way. Continue reading “TV Review: The Crimson Petal and the White”

fosterIAN awards 2016

 WinnerRunner-upOther nominees
Best Actress in a PlayJuliet Stevenson/Lia Williams, Mary StuartUzo Aduba/Zawe Ashton, The MaidsGemma Arterton Nell Gwynn,
Linda Bassett, Escaped Alone
Helen McCrory, The Deep Blue Sea
Maxine Peake, A Streetcar Named Desire
Harriet Walter, The Tempest
Best Actor in a PlayO-T Fagbenle, Ma Rainey's Black BottomLucian Msamati, Ma Rainey's Black BottomPhil Dunster, Pink Mist
Paapa Essiedu, Hamlet
Rhys Isaac-Jones, Jess and Joe Forever
Lucian Msamati, Amadeus
Danny Sapani, Les Blancs
Best Supporting Actress in a PlayJade Anouka, The TempestLizzy Connolly/Amanda Lawrence, Once in a LifetimeNadine Marshall, Father Comes Home From The War (Parts 1, 2, and 3)
Tanya Moodie, Hamlet
Siân Phillips, Les Blancs
Rachael Stirling, The Winter's Tale
Susan Wokoma, A Raisin In The Sun
Best Supporting Actor in a PlayPeter Polycarpou, Scenes from 68* YearsAnthony Boyle, Harry Potter and the Cursed ChildRudi Dharmalingham, Mary Stuart
Dex Lee, Father Comes Home From The War (Parts 1, 2, and 3)
Nick Fletcher, The Deep Blue Sea
Jonjo O'Neill, Unreachable
Alan Williams, Mary Stuart
Best Actress in a MusicalJenna Russell, Grey GardensClare Burt, Flowers for Mrs HarrisSamantha Barks, The Last 5 Years
Glenn Close, Sunset Boulevard
Kaisa Hammarlund, Sweet Charity
Cassidy Janson, Beautiful
Landi Oshinowo, I'm Getting My Act Together...
Best Actor in a MusicalLouis Maskell, The Grinning ManAko Mitchell, RagtimeDeclan Bennett, Jesus Christ Superstar
Dex Lee, Grease
Hugh Maynard, Sweeney Todd
Charlie Stemp, Half A Sixpence
Mark Umbers, She Loves Me
Best Supporting Actress in a MusicalJennifer Saayeng, RagtimeVictoria Hamilton-Barritt, Murder BalladJosie Benson, Sweet Charity
Sheila Hancock, Grey Gardens
Rachel John, The Bodyguard
Katherine Kingsley, She Loves Me
Gloria Onitiri, The Grinning Man
Best Supporting Actor in a MusicalJulian Bleach, The Grinning ManTyrone Huntley, Jesus Christ SuperstarAdam J Bernard, Dreamgirls
Daniel Crossley, Sweet Charity
Stuart Neal, The Grinning Man
Dominic Tighe, She Loves Me
Gary Tushaw, Ragtime