|Best Actress in a Play||Gillian Anderson, A Streetcar Named Desire||Chris Nietvelt & Halina Reijn, Maria Stuart (Toneelgroep Amsterdam)||Linda Bassett, Visitors
Susannah Fielding, The Merchant of Venice (Almeida)
Denise Gough, Adler and Gibb
Imelda Staunton, Good People
|Best Actor in a Play||Cary Crankson, The Saints||Jack Holden, Johnny Get Your Gun||Jonathan Broadbent, My Night With Reg
Chris Connel, Wet House
Harry Melling, peddling
Mark Strong, A View From The Bridge
|Best Supporting Actress in a Play||Vanessa Kirby, A Streetcar Named Desire||Phoebe Fox & Nicola Walker, A View From The Bridge||Blythe Duff, The James Plays
Liz White, Electra
Lydia Wilson, King Charles III
|Best Supporting Actor in a Play||Joe Caffrey, Wet House||Hans Kesting, Maria Stuart (Toneelgroep Amsterdam)||Patrick Godfrey, Donkey Heart
Julian Ovenden, My Night With Reg
Hugh Skinner, Thérèse Raquin (Theatre Royal Bath)
Geoffrey Streatfeild, My Night With Reg
|Best Actress in a Musical||Imelda Staunton, Gypsy||Gemma Arterton, Made in Dagenham||Charlotte Baptie, Free As Air
Natalie Mendoza, Here Lies Love
Christina Modestou, In The Heights
Sophie Thompson, Guys and Dolls
|Best Actor in a Musical||Sam Mackay, In The Heights||Benjamin Scheuer, The Lion||Adrian der Gregorian, Made In Dagenham
Killian Donnelly, Memphis
Jon Robyns, The Last Five Years
Jeremy Secomb, Sweeney Todd (Tooting Arts Club)
|Best Supporting Actress in a Musical||Jenna Russell, Urinetown||Lara Pulver, Gypsy||Samantha Bond, Dirty Rotten Scoundrels
Victoria Hamilton-Barritt, In The Heights
Kiara Jay, Sweeney Todd (Tooting Arts Club)
Zoe Rainey, The Return of the Soldier
|Best Supporting Actor in a Musical||Jason Pennycooke, Memphis||Aaron Tveit, Assassins||Damian Buhagiar, In The Heights
Tyrone Huntley, Memphis
Nadim Naaman, Sweeney Todd (Tooting Arts Club)
Jonathan Slinger, Urinetown
Best Supporting Actor in a Play
Joe Caffrey, Wet House
One of the most painfully believable portrayals of alcoholism you could ever wish to see and just brutal in its tragedy, even if the audience around laughed merrily away
Honourable mention: Hans Kesting, Maria Stuart (Toneelgroep Amsterdam)
As the charismatic Leicester, loved by two queens, Kesting was a silkily seductive presence but one with steel at its very core. The kind of actor you can’t keep your eyes off (and if you ever see a show at the Stadschouwberg, nip upstairs to look at the very fetching portrait of him!).
Best Supporting Actor in a Musical
Jason Pennycooke, Memphis
Twinkle-eyed and twinkle-toed, Pennycooke is a sheer delight in Memphis as Bobby, the cleaner who becomes an unexpected television star, and just edges colleagues Rolan Bell and Tyrone Huntley who altogether make a superbly strong supporting line-up for this show.
Honourable Mention: Aaron Tveit, Assassins
The arrival of this square-jawed Broadway import was much heralded and certainly didn’t disappoint as he bolstered the tip-top ensemble that Jamie Lloyd assembled for Assassins with some fierce commitment and sheer quality.
“Angry men don’t write the rules and guns don’t right the wrongs”
The season to be jolly is fast approaching but if the idea of Christmas cheer in the theatre leaves you, well, less than cheerful, then the Menier Chocolate Factory’s festive offering this year may well be up your street. The highly prolific director Jamie Lloyd is taking on Stephen Sondheim’s Assassins, which sees Sondheim’s music and lyrics coiled around John Weidman’s book exploring the men and women who tried (whether successfully or not) to assassinate a President of the United States.
It’s hardly the most Christmassy of shows and I think that is pretty much the point. And Sondheim’s enduring popularity (especially at this venue) makes it a safe bet even before the luxurious quality of the cast and company comes into the equation. I saw the first preview on Friday, my booking radar having gone a little awry as I was away when the tickets were released, so instead of reviewing the production, I’m offering you 10 things to look forward to and look out for and if I get to see the show later in the run, I’ll review it ‘properly’ then. Here be mild production spoilers (all hidden behind links).
Aaron Tveit – Along The Way (from Edges)
Tveit’s announcement of his London stage debut in the Menier’s Assassins sent huge excitement through theatreland yesterday and here’s a small indication of his…talent.
Continue reading “Saturday afternoon music treats”
For many people, myself included, it is nigh on impossible to approach a film version of stage behemoth Les Misérables with a blank slate. It’s been a mainstay of the musical theatre world since its 1985 London debut – it is most likely the show I have seen the most times throughout my lifetime – and after celebrating its 25th anniversary with an extraordinarily good touring production, has been riding high with a revitalised energy. So Tom Hooper’s film has a lot to contend with in terms of preconceptions, expectations and long-ingrained ideas of how it should be done. And he has attacked it with gusto, aiming to reinvent notions of cinematic musicals by having his actors sing live to camera and bringing his inimitable close-up directorial style to bear thus creating a film which is epic in scale but largely intimate in focus.
In short, I liked it but I didn’t love it. I’m not so sure that Hooper’s take on the piece as a whole is entirely suited to the material, or rather my idea of how best it works. Claude-Michel Schönberg’s score has a sweeping grandeur which is already quasi-cinematic in its scope but Hooper never really embraces it fully as he works in his customary solo shots and close-ups into the numbers so well known as ensemble masterpieces. ‘At The End Of The Day’ and ‘One Day More’ both suffer this fate of being presented as individually sung segments stitched together but for me, the pieces never really added up to more than the sum of their parts to gain the substantial power that they possess on the stage. Continue reading “Film Review: Les Misérables (2012)”
Outstanding Performance by a Male Actor in a Leading Role
Bradley Cooper – Silver Linings Playbook as Patrizio “Pat” Solitano, Jr.
Daniel Day-Lewis – Lincoln as Abraham Lincoln
John Hawkes – The Sessions as Mark O’Brien
Hugh Jackman – Les Misérables as Jean Valjean
Denzel Washington – Flight as William “Whip” Whitaker, Sr.
Outstanding Performance by a Female Actor in a Leading Role
Jessica Chastain – Zero Dark Thirty as Maya
Marion Cotillard – Rust and Bone as Stéphanie
Jennifer Lawrence – Silver Linings Playbook as Tiffany Maxwell
Helen Mirren – Hitchcock as Alma Reville
Naomi Watts – The Impossible as Maria Bennett Continue reading “19th Screen Actors Guild Awards nominees”
Beasts of the Southern Wild
Life of Pi
Silver Linings Playbook
Zero Dark Thirty
Ben Affleck – Argo
Kathryn Bigelow – Zero Dark Thirty
Tom Hooper – Les Misérables
Ang Lee – Life of Pi
David O. Russell – Silver Linings Playbook
Steven Spielberg – Lincoln Continue reading “18th Critics’ Choice Awards nominees”