There Ought To Be Clowns
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A post-modern take on porn and patriarchy, I can’t help but want to be finished off better…
Queer feminist theatre/cabaret hybrid Lipstick: A Fairy Tale of Iran leaves me dissatisfied at the Omnibus Theatre…
John Owen-Jones’ fourth solo album Spotlight doesn’t demonstrate the boldest choice of material but the quality of…
For me, i will still be whole (when you rip me in half) ends up plagued by…
Pushing the boundaries of improv beyond the mortal realm, How To Date a Magical Creature is a…
Swipe Right Theatre’s Scream Phone is a hilarious 80s spoof musical at the VAULT Festival “Who who…
RedBellyBlack’s Tacenda at the VAULT Festival comes off as a Groundhog Day for millennials, though it could…
Martin Malcolm’s Warped at the VAULT Festival looks at the impact of institutionalised toxic masculinity on the…
Sorcha McCaffrey’s Ladybones proves an incisive and insightful look at OCD without ever labouring its point “A…
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