Author: Ian
Review: Warped, VAULT Festival
Martin Malcolm’s Warped at the VAULT Festival looks at the impact of institutionalised toxic masculinity on the…
Review: Ladybones, VAULT Festival
Sorcha McCaffrey’s Ladybones proves an incisive and insightful look at OCD without ever labouring its point “A…
Review: And The Rest of Me Floats, Bush Theatre
Outbox Theatre’s And The Rest of Me Floats is the queer house party at the Bush Theatre…
Review: Boots, Bunker Theatre
Boots at the Bunker Theatre is affectingly done but tries to pack in too much to its…
Review: Follies 2019, National Theatre
The Olivier Award-winning Follies returns to the National Theatre in richer, deeper, more resonant form and just…
Review: Only Fools and Horses The Musical, Theatre Royal Haymarket
Perhaps predictably, I have anything but a lovely jubbly time at Only Fools and Horses The Musical at…
Review: Tartuffe, National Theatre
Denis O’Hare shines as Tartuffe in Blanche McIntyre’s directorial debut at the National Theatre “We don’t have…
Review: [title of show], Above the Stag
Four cracking performances make [title of show] a musical highlight of the month at the Above the…
Review: Come From Away, Phoenix Theatre
The highly anticipated musical Come From Away leaves me dry-eyed at the Phoenix Theatre despite a very…
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