Chelsea Walker helms a blistering update of A Streetcar Named Desire in a co-production between Nuffield Southampton Theatres, Theatr Clwyd and English Touring Theatre
“You can’t beat on a woman and then call her back”
If Blanche DuBois were around today, then of course her go-to tunes would be the likes of Madonna and Blondie, and a glitterball would take the place of her colourful paper lantern. And as the strains of ‘Material Girl’ gets most everyone up and dancing at the end of a fateful poker night, Chelsea Walker’s contemporary take on this Tennessee Williams classic finds its happy place.
Of course, it’s A Streetcar Named Desire so that happy place lasts for a moment of seconds before Patrick Knowles’ brutish Stanley reasserts himself. And what Walker’s clever updating does is to not let itself get bogged down in minor textual incongruities, but to firmly locate its troubling sexual dynamics in the gender politics of right now. Continue reading “Review: A Streetcar Named Desire, NST City Southampton”
“We are all gathering dust here, none of us have much to do”
It’s a tough job being an actor junkie. Even whilst trying to cut down on the amount of theatre I see, I find it immensely hard to turn down the opportunity to watch long-admired actors in the flesh, hence dragging myself to see A Christmas Carol for Jim Broadbent, overriding my Pinter-averse instincts to book for Timothy Spall in The Caretaker, and heading to Stratford-upon-Avon to see David Threlfall return to the RSC, over 35 years since he was last there.
Drawing him back is a new adaptation of Miguel de Cervantes’ Don Quixote by poet James Fenton (pulling the focus a bit in marking the 400th anniversary of someone else’s death) that is filled with mayhem and music and madness and melancholy. Determined to translate the world of chivalry of which he has read so much, Don Quixote sets out on his own quest to become a wandering knight, carrying out acts of derring-do with his hapless squire but finding that fictional romantic ideal increasingly hard to come by. Continue reading “Review: Don Quixote, Swan Theatre”