“If only I could start to realise I’m not the only one who feels like they’ve been left behind”
Austerity bites. And it seems like it often bites hardest on the arts, government thinking considering them a luxury rather than a necessity as libraries and those relying on arts funding have been finding out to their cost. And in Thomas Attwood and Elliot Clay’s new musical The State of Things, it is a group of seven Sutton Coldfield teenagers, preparing for their music GCSE performance, who find that the A-Level music course onto which they all want to progress is being cut from the timetable in a cost-cutting measure.
Being teenagers means that they quickly get up in arms to protest the decision to their headteacher (known as Maggie – the school is an academy…) but being teenagers, they’re also horny af and wrestling with the weight of the world on their shoulders, sometimes all at the same time. Thus the political mixes with the personal (affectingly so in the case of Hana, who faces huge responsibilities at home due to her mother’s health issues), inconsequential daily drama with sincerely felt fear for the future. Continue reading “Review:The State of Things, Brockley Jack”