A starry Mary Queen of Scots proves an intriguing if a little frustrating film debut for Josie Rourke
“The world will decide for itself”
An intriguing, if a little frustrating one this. Josie Rourke is a titan in the world of theatre and Mary Queen of Scots marks her cinematic debut. But despite a classy pair of lead performances from Saoirse Ronan and Margot Robbie as diametrically opposed queens Mary and Elizabeth, an ensemble consisting of the cream of British acting talent, and the sweeping beauty of the Highlands to frame every other shot, the film never really quite sparks into life.
Beau Willimon’s screenplay, based on John Guy’s book Queen of Scots: The True Life of Mary Stuart, dances around historical accuracy with its own determination, building in a climactic meeting between the two which although visually striking, dramatically brings precious little. Before then, the film is plotted as a strategic confrontation between two monarchs, two women, who are battling the worlds around them as much as each other. Continue reading “Film Review: Mary Queen of Scots (2018)”
“The longer I live, the more I’m tempted to think that the only moderately worthwhile people in the world are you and I”
It’s 30 years since Christopher Hampton’s adaptation of Choderlos de Laclos’ extraordinary epistolary novel Les Liaisons Dangereuses premiered in Stratford, took the West End and Broadway by storm and was turned into the most seductive of period movies in Dangerous Liaisons. Since then, the emotional war games of former lovers the Marquise de Merteuil and Vicomte de Valmont have rarely been seen but Josie Rourke’s has revived them just in time for Christmas at the Donmar.
The decaying grandeur of the French aristocracy in 1782 – just a few years away from révolution breaking out remember – is neatly suggested by the peeling walls and dust sheets that litter Tom Scutt’s set. And their enduring decadence remains obvious in the still-luxurious quality of their clothing (some gorgeous costume work here) but Scutt and Rourke make clear that the lifestyle being pursued by Merteuil, Valmont and their ilk is doomed, regardless of how their games play out. Continue reading “Review: Les Liaisons Dangereuses, Donmar Warehouse”
“You know what London pubs are like – you don’t know anyone and no-one knows your name”
Looking back over the blog, it turns out I’ve seen Chekhov’s Three Sisters four times in recent years and all of them have been a modern updating of some sort and now I’ve seen FiasCo Theatre’s version at a spruced up White Bear Theatre in Kennington, I’m on five for five. This uncredited adaptation sees the sisters moved to present day Britain, moved by their father from their beloved London to an unspecified place in the north (with a train station 12 miles away) and a military garrison nearby.
The Prozorovs are rechristened as the Earnshaws and in a nifty bit of renaming that nods to one of Chehov’s possible inspirations, Olga, Masha and Irina have become Charlotte, Emily and Anne. Ed Sheeran and Bastille may blast over the stereo but otherwise, the modern references are just lightly sprinkled throughout in just the right quantity – it is a pretty respectful, condensed take on the story which reiterates the crushing paralysis of inaction no matter the time or place. Continue reading “Review: Three Sisters, White Bear Theatre”