“I love the theatre, but I never come late”
In some ways, this tale of the exploitation of unpaid interns working in a theatre could be considered a timely revival looking at the ethics of the industry. But though that is the pretext of Babes in Arms, it is a much more whimsical piece than that – a 1937 Broadway musical from Rodgers and Hart, frothily light in plot but musically superlative in places, brimming with standards like ‘The Lady is a Tramp’, ‘Johnny One Note’ and ‘My Funny Valentine’.
This production uses a revised book from 1959 by George Oppenheimer in which a team of bright young apprentices toil away at a struggling theatre, falling in and out of love with each other at the drop of a hat and secretly rehearsing a musical revue which they hope to put on. It’s undoubtedly a candy-floss ball of a plot but cheerfully and entertainingly staged in David Ball’s production with Sam Cable’s sharp 3-man band and splendidly enlivened by the interjections of Lizzi Gee’s suitcase-wielding and delightfully tap-heavy choreography. Continue reading “Review: Babes in Arms, Union Theatre”