“Something bad always happens when you go upstairs”
Something is in the water of British crime drama that is making it more interesting than it has been for quite some time. Tony Basgallop’s What Remains, directed by Coky Giedroyc, has thrilled across four weeks on BBC1 making the kind of whodunnit that genuinely had one guessing right till the very end with its carousel of hugely unlikeable personalities remarkably all remaining in the mix for the crime for a very long time. Set in an inner-city townhouse split into flats, it plays on the anonymity of metropolitan life – the fact that we can live next door to people and remain strangers, dissociated from their lives entirely. Such is the fate of Melissa Young, whose decaying body is found in the loft of a building yet whose absence for two years has gone unnoticed.
She owned the top flat but as soon we get to know the rest of the inhabitants, we soon see why this wasn’t the happiest of houses. A cranky maths teacher lives in the basement with something of a dirty secret, on the ground floor is a recovering alcoholic journalist whose romance with a colleague is under threat from his self-possessed teenage son, above them are lesbian graphic designers gripped in a psychotically abusive relationship and above them are a newly-arrived and heavily pregnant young couple. Throw in a widower detective on the brink of retirement and no life outside of work and the scene is set for cracking four-parter What Remains. Continue reading “TV Review: What Remains”
“You don’t need to be thinking about Alice Morgan right now”
By the time that the television series Luther started on BBC1, I was already keen on Ruth Wilson as an actress but the first episode of the first series – which now ranks as one of my all-time favourite pieces of television ever – confirmed her as one of the most exciting people we have working in this country. The show is a high-quality detective drama featuring Idris Elba as DCI John Luther, a member of the Serious Crime Unit, whose unconventional and often controversial methods frequently sets him at odds with his colleagues and his estranged wife who end up paying the price for his uncompromising genius.
Entirely written and created by Neil Cross, there’s a most pleasing continuous feel to the six-part series which combines a ‘story of the week’ format featuring some extremely gory and plain icky crimes with larger story arcs which build to the shockingly climactic finish of Episode 6. Ruth Wilson stars as research scientist Alice Morgan, who is involved in the former in Episode One but soon turns into the latter as a wonderfully twisted kind of relationship builds between her and Luther. It is hard to say much more without revealing too much for those who haven’t seen it – shame on you if you haven’t, go and watch it now! – but the way in which Wilson slowly subverts our expectations in that first hour is nothing short of superlative, the gradual reveal completely compelling, the way she says the word ‘kooky’ deserves an award category of its own. Continue reading “DVD Review: Luther Series 1”
“Fools tell the truth”
Where success lies, so sequels inevitably follow and after the success of Peter Moffat’s Criminal Justice, a second series following a different case through the legal system was commissioned and broadcast in 2009. Maxine Peake starred as Juliet Miller, the central figure of the show, a housewife and mother thoroughly cowed by an intensely and secretly abusive relationship whose entry into the criminal justice system commences when she finally stabs her husband, a neatly counter-intuitive piece of casting in Matthew Macfadyen.
I enjoyed the first Ben Whishaw-starring series a huge amount and found it a fresh take on the crime genre so a re-run of something similar was never going to have quite the same impact. But although it is a different take on the model, it didn’t grip me in quite the same way, lacking that sense of relatability that came from having a young male protagonist. For this is a much more female-centric drama – domestic violence, mother-and-baby units, work/life balance are just some of the issues at hand as Peake’s Juliet reels from the impact of her actions, the suspicion with which she is treated, the stresses leading up to and during the trial. Continue reading “DVD Review: Criminal Justice 2”
“Do you think that homosexuality between 2 consenting males should be a criminal act”
A Very British Sex Scandal was a docu-drama that aired in 2007 on Channel 4. I watched it at the time and it has stuck with me ever since, a devastatingly powerful piece of film-making and a pertinent reminder of the struggles and battles that others fought in order for gay people to live in a more equal society today. Written and directed by Patrick Reams, it centres on the mid-1950s trial of several well-known men arrested for gross indecency and buggery which proved to be a landmark moment in solidifying public opinion against such legislation, stemming the virulently anti-homosexual political establishment and eventually leading to the decriminalisation of homosexual acts between consenting adults in Britain.
The film is a combination of dramatisations of key moments and events from the story interspersed with a set of interviews with gay men who were alive at the time. The mix is a good one: initially it is a roughly even mixture of the two, full of scene-setting shots in the drama but also providing much context of the realities of being a practising homosexual man in this era. These contributions are often eye-openingly frank and disturbingly brutal, it’s hard to think that it really wasn’t so long ago but this was just what life was like. Continue reading “DVD Review: A Very British Sex Scandal”
“He did do it, didn’t he?“
One of the side-effects of seeing so much theatre is that there is less time available to imbibe other forms of culture and for me, it has meant that I watch hardly any television these days. I rely on the iPlayer (although too much of what I download ends up lingering unwatched and then expiring) and other catch-up TV services, or else I add the DVD to my ever-growing pile of things to watch on a rare quiet day. Which means it frequently takes me ages to catch up, even with things that I am most looking forward to, one of which was the second series of Peter Morgan’s The Jury which played on ITV last year.
To be honest, calling it a second series is something of a misnomer as it bears no real connection to the first one from 2002, aside from being a show about a jury, which is something of a shame as that show remains one of the televisual highlights of my life. It was one of the shows that introduced me to love of my life Helen McCrory and also featured a smoking hot pre-Hollywood Gerard Butler, but also played out as a rather satisfying combination of character study and legal drama. This time round, the case in question was a retrial of a triple murder, but the focus is as much on the lives of the twelve people eventually selected as jurors. I’m not quite sure why Morgan decided to revisit the format, as in the end it was to somewhat lesser effect for me. Continue reading “DVD Review: The Jury (Series 2)”
“According to the meta-data on the files…”
From the first moments of the prologue, it is clear why Julian Simpson’s haunted house radio play Bad Memories won awards for its sound design. Recorded at Stanmer House in Brighton, David Chilton has created an amazingly well-textured soundscape which responds perfectly to the challenges of Simpson’s writing. To solve the mystery of the disappearance of an architect’s family whose bodies turn up in their cellar several years later yet with extremely perplexing forensic discoveries, the investigating officer turns to a tech wizard to see if a digital voice recorder found with them can reveal any clues.
And who else would you turn to in such a time but ‘Ruth from Spooks’?! Technically speaking it is Nicola Walker, playing a character called Rachel Weir, but it must be said that there’s not too much distance between the two. But as a huge fan of Spooks, and of Walker’s, I had no problem whatsoever with this. And as she works through the short clips of recordings that she is able to rescue, along with Rupert Graves’ detective, a disturbing tale of paranormal investigators, haunted children and scary little-girl-ghosts (always the worst kind!) begins to emerge. Continue reading “Review: Radio Dramas – Bad Memories and That’s Mine, This is Yours”
Due to having no internet at my flat, I have fallen behind with my reviewing, which is very poor considering this is only my second one. But I forgive myself, and I am the only person reading this anyway, lol!
This three-hander is by Neil LaBute who has a long-running relationship with the Almeida, and this is the European premiere of In A Dark Dark House. It is quite cleverly structured, in three segments with no interval and so really has a filmic feel to it which is probably a good thing as you wouldn’t have wanted it to be much longer. The play tells the story of two brothers who are still struggling with events from their childhood, and as ever with LaBute’s work, nothing is quite as it seems and the journey to the truth is quite harrowing. David Morrissey and Steven Mackintosh both do fine work, but somehow the parts don’t quite add up to a cohesive whole. The central scene with Kira Sternbach playing a Lolita-like role provides a welcome jolt of adrenaline to proceedings, but I didn’t feel the play dealt sufficiently with the questions it raised especially around the long-lasting impact of abuse . Continue reading “Review: In A Dark Dark House, Almeida Theatre”