DVD Review: Ripper Street Series 2

“You believe in laws but there are only lechers”

For some reason or other, I stopped watching the second series of Ripper Street midway through and it’s taken me until now to finally finish it. It wasn’t that I didn’t enjoy it, it’s more likely to do with running out of time to watch it on the iPlayer or something but anyhoo, I’ve managed it now. My review of Series 1 (which I thoroughly appreciated) is over here and I have to say that that enjoyment has continued, even if I do have a few reservations about its female voices.

It’s a shame that in a crime procedural led by three men, two of the leading supporting female characters did not return for this second series. DI Reid’s wife and kind-of-mistress (Amanda Hale and Lucy Cohu) are both MIA, losing all the work done to establish them, and though Leanne Best is introduced as a local politician who can’t help but flirt with Reid (he’s played by Matthew Macfadyen after all), the overall weight of the series does thus feel a little unbalanced.

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TV Review: Happy Valley

 
“Why would he do something like that? We’ve got caravans, we’ve got a games room that caters for people in wheelchairs”

My favourite thing about Happy Valley is actually the association the title has for me and my family – it was the name of the Chinese takeaway opposite my Aunty Jean’s house where we’d often get our Saturday tea. It’s a lovely fond memory that sits rather at odds with the realities of this recent TV series which I finally caught up with and which reunites what looks like becoming one of the best creative partnerships we have in the country – writer Sally Wainwright and actor Sarah Lancashire. Baftas all around I shouldn’t wonder.

The location may be similar to the rather more bucolic Last Tango in HalifaxHappy Valley is set in nearby Hebden Bridge – but we’re in a much grittier world of suburban disillusionment as this police drama takes in kidnap, rape and murder, all underscored by the pervasive influence of a spiralling drugs problem throughout the town. Wainwright being a more sophisticated writer than most though, ensures that her drama takes in the full breadth of the experience, examining the aftermath of the crimes just as much as the deeds themselves. Continue reading “TV Review: Happy Valley”

Review: Fit and Proper People, Soho Theatre

“Gonna tell me next that the game is all about the comfort of social habit and a worldwide need for tribal ritual and worship within the parameters of global capitalism…”

There’s a great sense of fun around the Soho Theatre’s new show, the RSC-commissioned Fit and Proper People by Georgia Fitch: the theatre has been transformed into a miniature football stadium with East and West stands, terrace seating and flashy advertising hoardings; turn up in a football shirt and you’ll get a free drink and there’s even free pies and a prize raffle at half-time. But as Fatboy Slim’s ‘Right Here Right Now’ swells loudly over the PA system and the cast launch into choreographer Spencer Soloman’s stylised slo-mo movement, it soon becomes apparent that whilst there’s a lot of show on display, the content unmistakably leaves a lot to be desired.

Fitch’s meticulously researched play has taken much inspiration from real life events in the world of football and particularly the murky backroom dealings as ethics are increasingly pushed aside in the race to top the league. The rush to secure foreign investors, the sweeping of numerous scandals under the carpet, the exploitation of young players, the experience of women in such a male-dominated industry, the treatment of loyal fans as profit margins are pushed, there’s a plethora of issues which Fitch folds into the narrative but they just meld into a cacophonous mess that whilst brimming with enthusiasm, lacks any sort of clarity. Continue reading “Review: Fit and Proper People, Soho Theatre”

Re-Review: Oliver!, Theatre Royal Drury Lane

“Shut up and drink your gin”

When I first heard about this offer of tickets for 5 West End shows for £70 from the Groupon website, I thought it was too good to be true but after a twitter buddy convinced me to take the plunge, I can honestly say it is a great deal. I now have front centre stall tickets for 5 shows that I would not perhaps have ever gotten round to seeing for the princely sum of £14 each. So keep your eyes peeled for a similar offer if it comes up again. The first of my shows was a revisit to Oliver! as there’d been a substantial cast change since I last saw it and it has announced that it is closing, in order to make way for Shrek in the spring of next year.

The story of Oliver Twist, a workhouse orphan who ends up on the streets of Victorian London but soon finds a new life with Fagin and his group of pickpockets. When it turns out Oliver is pretty rubbish at crime and he gets caught, a wealthy man takes pity on him but his new compatriots including the vicious Bill Sikes, the chirpy Artful Dodger and the mothering Nancy set out to get him back with tragic consequences.


This production directed by Rupert Goold had two of its roles originally cast through the BBC1 reality show I’d Do Anything, Jodie Prenger as Nancy and three Olivers were ultimately selected and most have now moved on. But it remains much the same show with its highly impressive set with its ever-changing backdrops and layers providing a visual treat along with a huge cast, some nifty choreography and a freshness to the new orchestrations and arrangements of the songs we all know so well, like Consider Yourself, I’d Do Anything and Food Glorious Food and in the set pieces for these songs, this production is simply delightful, none more so than in my personal favourite, Who Will Buy.


This is probably quite naff, but I have a certain fondness for Russ Abbot as I have great memories of Saturday afternoons spent at my Aunty Jean and Aunty Mary’s house watching television and the Russ Abbot Show, with Bella Emberg as well, is something that sticks in my mind and reminds of those simpler times. I was quite shocked to see that he is only 63, as I was sure he was considerably older than my parents but apparently not, but he does a grand job here as a less creepy Fagin than Atkinson, more avuncular and unafraid of the broader comedic touches which went down a storm (there’s a Lady GaGa reference now). William Pearce made for a very sweet Oliver and we had Jacques Miché as Dodger who was good fun and a most enthusiastic dancer. And I was surprised at just how dark and brutal Steven Hartley’s Bill was, but it was most effective.


I have to admit to not really being a huge fan of Kerry Ellis, I’m not entirely sure why but there’s something a little clinical about her for me, and so it was here for me. Vocally she is very strong and secure but there wasn’t much lyrical precision in Oom Pah Pah and to be honest, up close, there didn’t seem to be much going on behind the eyes, not enough emotion in her performance to make you believe that Nancy really cares for her boys. Part of this is probably because I was a huge fan of Jodie Prenger, but others in the interval also commented on how it seemed like she was kind of going through the motions.


It was really nice to be able to revisit this show and from such amazing seats, it made a considerable difference from being up in the gods and very much added to the experience. When the oh-so-familiar songs are in full flow and the cast is in full voice and dancing around, this is a truly joyous production. There are moments when it drags, in the second half in particular, and it will be nice to welcome a new musical to this theatre next year, but I’d quite happily recommend this stalwart for a good old-fashioned musical treat.


Running time: 2 hours 30 minutes (with interval)
Programme cost: £3
Booking until 8th January 2011, Griff Rhys Jones rejoins the production as Fagin from 6th December
Note: some use of strobe lighting and a loud noise towards the end