Written by Nadim Naaman and Dana Al Fardan, the concept album of new musical Broken Wings marks an ambitious debut and an impressive arrival
“I remember the beauty of home”
Would you be able to name the third best-selling poet of all time? Behind Shakespeare and Laozi, it is actually the Lebanese writer Kahlil Gibran. So adapting his work for the stage is perhaps something of a natural step, and an under-explored one given the Anglo-Saxon bias of the Western canon. And it feels only right that it should fall to a Lebanese man and a Qatari woman to compose a musical based on one of his most famous works.
The result is Broken Wings. A new musical which has not only released a concept album, but will play the Theatre Royal Haymarket for four nights in early August, marking the first Arabic-inspired musical to grace the West End. But is it any good? I have to say I have fallen hard for its charms, as it reveals itself to be a supremely confident piece of writing, and one which balances the melting pot of its influences with an almost classic approach. Continue reading “Album Review: Broken Wings”
“Critics! Who’d make a living out of killing other people’s dreams?”
I could have been on the stage. Indeed I was, briefly as a shy teenager, but playing the piano for shows was a much more appealing option for me and so the world was left sadly bereft of what could have been the definitive Hamlet for our generation. Fortunately though, we are not lacking in acting talent and it is being well-nurtured at drama schools like Arts Ed where I went to catch this undergraduate production of Kander & Ebb’s Curtains. I was particularly keen to see it as the choreography was done by Andrew Wright, the gentleman who did the deed for my favourite musical of last year, Once Upon A Time At The Adelphi and I thought I might be able to convince him to give me a tap dancing lesson in the interval.
Anyway, the show Curtains had a bit of a sad genesis. The original concept came from Peter Stone but he died before he completed the book so Rupert Holmes was brought in to rewrite it but when Fred Ebb also passed away before it had been finished, Holmes and Kander had to step in to finish off the lyrics. But it is not a melancholy show, far from it. It is a ‘musical comedy whodunit’, a send-up of murder mysteries set backstage at a theatre where a spectacularly bad leading lady is murdered after her first night in a Western version of Robin Hood. It is then up to a musical-theatre-loving detective to catch the murderer, save the show and fall in love with the girl of his dreams before the new opening night keeping the entire cast and crew and a rogue critic with far too much time on his hands, under suspicion. Continue reading “Review: Curtains, Arts Ed”