The ‘small’ show that could – from the Vaults to the Arts and now to the West End, Small Faces musical All Or Nothing transfers to the Ambassadors Theatre
“I am going to exploit every last bit of you”
I have to hold my hands up, I couldn’t name you more than one Small Faces song if I tried, and that’s only because of the M-People cover of ‘Itchycoo Park’ from my formative years. Which is the main reason that it has taken me this long to getting round to see All Or Nothing, the nature of a jukebox musical tending towards existing fans of the music.
Of course, the ideal is that a show can break out to expand its reach to a wider audience (in a way that Sunny Afternoon did, for me at least), and I’m not sure that All or Nothing quite has those chops. Introduced and quasi-narrated by an older Steve Marriott, the band’s frontman, who reflects back on the band’s rise to fame with something close to rose-tinted glasses. Continue reading “Review: All Or Nothing, Ambassadors”
Kicking off a substantial tour that will take in Delhi and Mumbai as well as numerous UK theatres, Harvey Virdi’s Happy Birthday Sunita opens at Watford Palace Theatre and ever curious, a cheeky trip to a Sunday matinée felt in order. This Rifco Arts production centres on a British Punjabi family as they gather to celebrate a surprise 40th birthday celebration for Sunita. All is going well but the birthday girl is nowhere to be seen…
For as with any family, the Johals have their secrets and dramas and lifelong resentments and as the drinks starts to flow, truths start to spill out over the plates of curries and rotis. There’s a real sense of the family bond here though, no matter how strained it gets – in the blink of an eye, brother and sister go from bickering to bhangra dancing, the mother who makes sure all the cooking is done before unleashing her own shocking revelation. Continue reading “Review: Happy Birthday Sunita, Watford Palace”
“Gonna tell me next that the game is all about the comfort of social habit and a worldwide need for tribal ritual and worship within the parameters of global capitalism…”
There’s a great sense of fun around the Soho Theatre’s new show, the RSC-commissioned Fit and Proper People by Georgia Fitch: the theatre has been transformed into a miniature football stadium with East and West stands, terrace seating and flashy advertising hoardings; turn up in a football shirt and you’ll get a free drink and there’s even free pies and a prize raffle at half-time. But as Fatboy Slim’s ‘Right Here Right Now’ swells loudly over the PA system and the cast launch into choreographer Spencer Soloman’s stylised slo-mo movement, it soon becomes apparent that whilst there’s a lot of show on display, the content unmistakably leaves a lot to be desired.
Fitch’s meticulously researched play has taken much inspiration from real life events in the world of football and particularly the murky backroom dealings as ethics are increasingly pushed aside in the race to top the league. The rush to secure foreign investors, the sweeping of numerous scandals under the carpet, the exploitation of young players, the experience of women in such a male-dominated industry, the treatment of loyal fans as profit margins are pushed, there’s a plethora of issues which Fitch folds into the narrative but they just meld into a cacophonous mess that whilst brimming with enthusiasm, lacks any sort of clarity. Continue reading “Review: Fit and Proper People, Soho Theatre”