“Seymour sweetheart, tell me darling, what’s been going on?”
Much like the plant at the heart of its story, Little Shop of Horrors has become something of a monster success rising from its Off-Broadway beginnings to cult classic to household name, thanks in no small part to Alan Menken’s sparkling score and Howard Ashman’s sharp lyrics and witty book. A spoof of 50s sci-fi films, it follows shy young Seymour, a florist with a huge crush on his colleague Audrey, trapped in an abusive relationship with a laughing-gas-guzzling dentist. When a mysterious plant lands on his doorstep offering him the solution to his problems in return for food, things seem like they might finally start to look up for this downtrodden couple, but Seymour fails to recognise the Faustian dangers of selling his soul as the plant, Audrey II, gets hungrier and hungrier.
It is silly and fun, but the show has endured due to its gigantic heart, one cannot help but root for this couple grasping at their chance of happiness and thwarted by a renegade flesh-eating vegetable, all to the tune of Motown-inspired ditties. This production at the White Bear Theatre in Kennington, South London has taken the unusual step of pulling together two teams of actors who will alternate performances, the key difference being that the three Ronettes who also double up as Audrey II between them are guys the one night, and girls the next meaning there’s different experiences to be had here from one night to the next. Continue reading “Review: Little Shop of Horrors, White Bear Theatre”