“Where shall we start?”
Homer’s epic poem The Odyssey is a cornerstone of Western literature and so unsurprisingly has endured and thrived as part of our cultural consciousness since the 8th century BC when it was composed. So its tale of soldier Odysseus’ 20 year absence from his home in Ithica due to the 10 years of the Trojan War and then a troublesome 10 year journey back feels an appropriate fit in the centenary year of the Great War, especially given Mike Kenny’s new version and Sarah Brigham’s inspired direction.
For this interpretation digs deep into both the psychological and practical effects of war. The first half asks searching questions about the nature of telling war stories, Odysseus’ recounting of his trials become a meditation on survivor guilt as he revisits decisions made in the heat of combat, the sacrifices he asked of his men, struggling to rationalise the huge losses incurred. And part two turns its view on those left behind and the difficulties they have to face in welcoming back someone who has been unutterably changed by their experiences. Continue reading “Review: The Odyssey, Derby Theatre”