Series 1 of The Windsors proves that Hugh Skinner can do no wrong, nor Haydn Gwynne for that matter
“We’ve outgrown our usefulness like nipples on men”
Despite starring several of my theatrical faves, I’d never quite got around to watching The Windsors. But given that I’m off to see the stage show The Windsors: Endgame tomorrow, I thought I’d give Series 1 a whirl since it is on Netflix. And I have to say I absolutely frigging loved it.
George Jeffrie and Bert Tyler-Moore’s parody of the House of Windsor takes the form of a fast-moving soap opera, which means that the joke rate is phenomenal and as in the fashion of many a comedy show, if you’re not enjoying a particular turn, you don’t have to wait more than a few minutes before the next one appears. Continue reading “TV Review: The Windsors, Series 1”
Given the current discourse around Churchill and the aspects of British history that are commonly taught, watching A United Kingdom couldn’t be more timely
“Would you care for a sherry?”
It’s no secret that the realities of British colonial history are too often and too easily brushed under the carpet. And so it’s no surprise that it is directors of colour who are dragging them into the spotlight, as Amma Asante does with A United Kingdom. You can’t imagine a history lesson that wouldn’t benefit from screening this for its students.
Written by Guy Hibbert from Susan Williams’ Colour Bar, it is based on the true-life story of a law student named Seretse and a underwriters’ clerk named Ruth who met at a dance and fell in love, the film intelligently explores and exposes post-war British imperialist attitudes as well as giving us an epic love story. Continue reading “Film Review: A United Kingdom (2016)”
“Saying so much more than
Just words could ever say”
No-one could accuse Craig Revel-Horwood of resting on his laurels. He’s about to reprise his Miss Hannigan, stepping into Miranda Hart’s sensible shoes, in the West End revival of Annie; the new series of Strictly Come Dancing is looming just around the corner; and inbetween all that, he’s found the time to direct and choreograph a new Dusty Springfield jukebox musical that is scheduled to tour the country through to July 2018.
There’s a slight sense though that he might have overstretched himself with Son of a Preacher Man as I found its opening engagement at the Churchill Bromley really rather underwhelming. From Warner Brown’s insubstantial and weirdly paced book with its eye-openingly poor dialogue, to the incomprehensible decision to expose one of the weaker dancers front and centre at the very start, much of the decision-making feels questionable at best. Continue reading “Review: Son of a Preacher Man, Churchill Bromley”
For all the talk of people setting up blogs just to get free tickets that provoked my ire earlier this year, the simple truth of why I started my blog is much more self-obsessed…it was to get this word into the lexicon: fosterIAN (fos-tîr’ē-ən), my very own award for theatrical excellence! Last years’ winners and nominations can be read by clicking on the links, but I present to you, after much deliberation and several sleepless nights, the nominations for the 2010 fosterIAN awards, based on my trips to the theatre this year which total up to 271 in the final analysis. (Results to come in the New Year)
Best Actor in a Play
Roger Allam, Henry IV Part I & Part II
Jacob Casselden, Tribes
Benedict Cumberbatch, After the Dance
John Heffernan, Love Love Love
Andrew Scott, Design for Living
David Suchet, All My Sons
Best Actress in a Play
Nancy Carroll, After the Dance
Helen McCrory, The Late Middle Classes
Miranda Raison, Anne Boleyn
Michelle Terry, Tribes
Sophie Thompson, Clybourne Park
Zoë Wanamaker, All My Sons Continue reading “The 2010 fosterIAN award nominations”
“Do you always pray during those seconds before curtain-up?”
The Drowsy Chaperone is receiving its first off-west-end fringe revival after a spectacular failure with its West End run 3 years ago. I’m not entirely sure why it was so unsuccessful featuring Elaine Paige as it did but the misguided marketing campaign had a lot to do with it I’m sure. It is however also quite a niche piece, it should appeal to any fan of musical theatre but beyond that, I’m not sure how much attraction it has. But relocated and retooled to the Upstairs at the Gatehouse pub theatre in Highgate, this production captures all the charm and effervescence of this delightful show and hopefully it will restore some of its reputation here in London.
The show starts in darkness with our narrator explaining that he much prefers to listen to his favourite musicals than actually go to the theatre and he proceeds to put on his favourite record, The Drowsy Chaperone from 1928. This show-within-a-show is about two lovers whose wedding is put in jeopardy on their wedding day – by disaster, by themselves, by the drowsy chaperone who is supposed to be making sure the bride doesn’t see the groom on that fateful day and a whole host of stereotypical Broadway caricatures all with their own agendas. Continue reading “Review: The Drowsy Chaperone, Upstairs at the Gatehouse”