Review: Little Shop of Horrors, Open Air Theatre

Audrey II as a drag queen? Maria Aberg’s take on Little Shop of Horrors at the Open Air Theatre gives me life

“Oh, don’t you see?
Finally I’ll be
Somewhere that’s green”

It’s something of a relief when you’ve seen a version of a much-loved show that is nigh-on perfect, it really does take the pressure off those that follow. So I was able to visit a verdant Open Air Theatre to see Little Shop of Horrors – one of my all-time favourites, if not the actual one – excited by the prospect of what Maria Aberg had done, and secure in the knowledge that Derek Bond absolutely nailed it for the Royal Exchange a couple of years ago. 

Chief among her innovations is giving Audrey II much more life than they’ve ever had before, by casting drag queen Vicky Vox in the role. So from twitching, voracious puppet plant (designed by Max Humphries with Tom Scutt) emerges a strutting shrub of sinful sass and it is an inspired choice. Making her a Mephistophelean figure who can prowl around the amphitheatre flips Audrey II into something as thrilling as threatening, Vox revelling in the lasciviousness of “feed me” and the most scathing raised eyebrow you ever did see. Continue reading “Review: Little Shop of Horrors, Open Air Theatre”

Review: The Bodyguard, Dominion Theatre

“Makes you go left, right, up, down
Got you spinning round and round”

For the longest time, Beverley Knight was most notable to me for being on the radio when Rachel from Cold Feet died (and also having this old-school jam which was a favourite of mine and my big sister way back when). So when it was announced that she would be taking over the role of Rachel Marron in The Bodyguard in the show’s original West End run, I have to say I was sceptical and having already seen the show, felt little need to return.

But I saw Knight do very good work in Memphis and felt suitably admonished and as the fates would have it, she has returned to the role of Marron for The Bodyguard’s return to the West End at the Dominion. And I’m mightily glad that she has, for it really is a stonking performance from her and a role that suits her to the ground – belting out classic Whitney hits in peerless style and camping up the thinness of the drama with an almighty amount of sass. Continue reading “Review: The Bodyguard, Dominion Theatre”