“Do the boys have a song for a moment like this?”
Having a bit of fun with this one – there was actually 8 of us in attendance at new Take That musical The Band (with a boisterous Saturday evening crowd), for the occasion of celebrating my niece’s 13th birthday. And from ages 10 to (almost) 70, we all really enjoyed ourselves, so I put everyone to work to chip in with their favourite bits about the show, a la Smash Hits. Written by Tim Firth, what I found particularly pleasing was that The Band actually proves an engaging and entertaining piece of theatre, one that has clearly thought about the jukebox form and how it might be played with.
Continue reading “Review: The Band, Manchester Opera House”
Production shots of The Band (they’re getting their own post as we’re doing something a little different for the main review…
All photos courtesy of Matt Crockett
Continue reading “Production shots of The Band”
“You’ve got knockers and we’re after knobs”
Who knows why the West End run of The Full Monty lasted barely a month, I suspect the truth will never fully be known. But that was far from the end for the show, which is now midway through an extensive UK tour which does feel more like a natural home for Simon Beaufoy’s play – for me, jokes about knobs and knockers sit better on the seafront here than they ever would on Shaftesbury Avenue.
Which isn’t meant as a diss, just recognising the varying tastes of audiences and they were the key to my enjoyment of this evening – a carefree, whooping barrel of laughs coming left right and centre from a theatre full of people simply enjoying themselves. It’s a special thing to feel this sort of connection and I’m not sure if we get it that often in London theatres, or at least the ones I go to.
I mean yes, you can cavil at how the play is different from the film – how the men’s unemployment isn’t taken seriously enough, how the decline of the industrial north isn’t explored, how the seedy nature of the world of stripping isn’t interrogated – but that is not to recognise that this is just a different beast. It may not have the same intellectual integrity but it certainly has more than enough heart and humour in Daniel Evans’ production.
Continue reading “Review: The Full Monty, Theatre Royal Brighton”
“This is something I can’t ignore”
Typical really, the first series of Scott & Bailey that I actually get to watch live on air and it’s the first one that disappointed me. I caught up quickly with the first three over the last few weeks so that I would be up to speed with Series 4 but all in all, I didn’t feel like it was up to the standard. No real overarching story emerged across the eight episodes and without the heightened drama that would have added, this just felt like a retread of some of the same old plot points.
An ill-advised affair with a colleague, a promotion not taken due to personal circumstances, Janet’s kids playing up, tough but tender relations with Gill…it does feel like we’ve been here before. And though there are new twists, none of them really took flight – Rachel’s step up to sergeant never really foregrounded, a hint of romance for Janet left until the very end. The individual cases that came up maintained the usual level of interest but something was lacking in the end. Continue reading “TV Review: Scott and Bailey Series 4”