Review: Can-Can!, Union Theatre

As a dance musical, Can-Can! is a high-kicking delight at the Union Theatre

“My cheeks are clenched”

Courtesy of choreographer Adam Haigh, there is some seriously impressive dance going on at the Union Theatre right now. You might expect some good moves from a musical Can-Can! but the full company sequences that book-end the show are full of verve and vitality and some jaw-dropping moments, which are all the more impressive for taking place on a stage as intimate as this.

Phil Setren’s production wisely scatters more dance performances throughout the show, ensuring that we’re never too far from a routine, as the rest of the musical is something of a mixed affair. A grab-bag approach to its construction means it often feels scattered – based loosely on Pinero’s Trelawney of the Wells but moved to Paris, its populated with both real life figures from La Belle Époque and fictional characters. Continue reading “Review: Can-Can!, Union Theatre”

Review: Anyone Can Whistle, Union Theatre

“Laugh at the king or he’ll make you cry

The ever-modest Sondheim considers Anyone Can Whistle ‘a laudable attempt to present something off-centre in mainstream musical theatre’, whilst trying to contextualise his first ever commercial failure. But be that as it may, it remains one of his lesser performed works for a reason (it was seen most recently in London directed by Tom Littler at the Jermyn Street in 2010 I think) as Arthur Laurents’ book strains so hard to be zany that it hasn’t noticed how fatally confused it is. 

Corrupt Mayor Cora Hooper Hoover and her cronies plot to save their town from going bankrupt by faking a miracle, which attracts tourists aplenty and a bus load of patients from the local asylum who soon escape and mingle into an indistinguishable crowd. Then a fake psychiatrist turns up, who falls in love with a fake miracle verifier from Lourdes…concentrate too hard on this lot and you’ll end up in the asylum with them. Director Phil Willmott thus wisely focuses on the manifold strengths that his production brings to the table.  Continue reading “Review: Anyone Can Whistle, Union Theatre”