The Half – Photographs of Actors Preparing for the Stage by Simon Annand
Just a quickie for this book as The Half – Photographs of Actors Preparing for the Stage by Simon Annand was released in 2008. But with an imminent new exhibition of these photos and a bargainous copy of the book popping up on Ebay, I thought I’d take the plunge.
And I’m glad I did as it is a proper work of art in its own right. Annand has been photographing actors for over 25 years and as such, has a veritable treasure trove of shots to share with us, resulting from the trusting relationships he has built up with so many, from the new kids on the block to veritable dames. Continue reading “Book review: The Half – Simon Annand”
“You might put me in prison but let me tell you this: you can’t judge me unless you’ve had it done to you.”
Blimey, I knew Unforgotten was good (here’s my Episode 1 review, and my Series 1 review) but I wasn’t expecting it to be this soul-shatteringly excellent. More fool me I suppose, Nicola Walker is a god among mortals and her presence alone is reliably proving a harbinger of excellence, but allied to Chris Lang’s scorching writing, it’s hard to imagine that we’ll see much better television than this before the year is out.
That it managed this by using elements that have been seen recently (historical child sex abuse as per Line of Duty; the Strangers on a Train twist featured in Silent Witness just last month) and imbuing them with a compelling freshness is impressive enough, but the way in which it revealed this at the mid-point of the series and yet still had hooks and surprises aplenty to keep me gripped right until the bitterly haunting end. Continue reading “TV Review: Unforgotten Series 2”
“Repression is the only lasting philosophy”
Although not intentionally, this year I’ve been racing through the list of theatres (and towns) I haven’t been to before and Northampton’s Royal & Derngate is the latest to be ticked off. This production of Dickens’ A Tale of Two Cities marks the beginning of James Dacre’s tenure as Artistic Director there and though I have no way to compare it with what usually takes place on stage here, it feels like a hugely ambitious piece of work and a definite statement of intent.
Most of this comes from the team he has gathered. Mike Poulton’s sleek adaptation of the novel surely confirms him as the country’s foremost translator from page to stage, Oscar winner Rachel Portman provides a hugely atmospheric score which swells to fill the auditorium, and the use of a community ensemble gives credibility to the world of the play, creating a most effective baying mob in Mike Britton’s beautiful set which effortlessly switches location as the story dictates. Continue reading “Review: A Tale of Two Cities, Royal & Derngate”