“In what a shadow or deep pit of darkness doth womanish and fearful mankind live”
Gemma Arterton may have the part of the willowy ingénue down pat in The Duchess of Malfi at the Sam Wanamaker Playhouse just now but over in the earthier environment of the Bethnal Green Working Men’s Club, something much more radical is happening. Cover Her Face is a new version of John Webster’s 1613 work which relocates the play to the queer subculture of 1950s London, Malfi being the club at the centre of the scene, and third gender writer/performer La JohnJoseph its transgender Duchess.
Daniel Fulvio and Martin Moriarty’s reworking for Inky Cloak is a bold move but one which pays richly evocative rewards. The shifting of the narrative onto a trans focus possesses an aching urgency – JohnJoseph’s Duchess longing for love and marriage and the freedom to live as a woman, yet cruelly constrained by the conservatism of her two brothers – malevolent twin Ferdinand and the closeted Minister. Their uneasy arrangement is shattered though by arrival of the handsome Antonio. with predictably tragic consequences. Continue reading “Review: Cover Her Face, Bethnal Green Working Men’s Club”