Baron Fellowes of West Stafford stretches not a single muscle in pumping out more of the same in the tiresomely dull Downton Abbey the movie
“I want everything to stop being a struggle”
To crib the tagline of a certain jukebox musical (here we go again…) you already know whether you’re a fan of Downton Abbey the movie. By any stretch of the imagination, it is just an extension of the TV series and so is guaranteed to maintain that same level of comfort that you have always got from the Granthams et al, whether that’s good or bad.
For me, it means a thoroughly unchallenging film and one which proves increasingly dull. (For reference, I’ve only ever seen (some of) the Christmas Day episodes as my parents are fans.) The hook of the film is that it is now 1927 and King George V and Queen Mary are coming to stay for the evening and heavens to Betsy, we’re all of a dither. Continue reading “Film review: Downton Abbey (2019)”
Series 5 of Peaky Blinders plots a particularly dark path for Tommy Shelby but leaves a little too much up in the air – spoilers abound
“It was a consequence of good intentions”
Getting Elliot Cowan into the new series of Peaky Blinders made my heart sing, getting him to play a closeted gay journalist was just gilding the lily, so naturally he didn’t make it past the end of the first episodes. Such are the ways that this show breaks your heart.
As the race through the years carries on apace, we’re now in the time of the Wall Street Crash of 1929 and the rise of fascism with the arrival of Oswald Mosley, and these two points are the main drivers of this fifth series. The recalibration of the family business to cover their losses, and Tommy’s burgeoning political career serving his increasingly varied ambition. Continue reading “TV Review: Peaky Blinders Series 5”
“To do nothing is the hardest job of all”
It’s taken a little time to getting round to watching all of The Crown because, in a first for me, I found it impossible to binge-watch the show. Even with Netflix kindly providing offline downloads just at the point where I had a lot of travelling to do, Peter Morgan’s drama was lots of fun to watch but rarely captured the buzzy energy that has accompanied much online programming. Because it many ways it isn’t like much of Netflix’s previous output, it really is an encroachment into BBC Sunday night and as such, I felt it worked best spread out in almost weekly installments.
That’s partly down to the nature of the subject material, we’re not likely to get many surprises in a detailed retelling of the history of the House of Windsor. But it is also due to Morgan’s writing which tends a little to the formulaic, especially in the middle part of the series, which is when my interest was most in danger of waning. The opening two episodes started brightly but once the shock of becoming monarch was over, the rhythm became very much one of someone close to the queen has an issue and she has to weigh personal desires against public duty, the latter always winning out. Continue reading “TV Review: The Crown, Series 1”