Mike Bartlett’s new TV show Life is rich in middle-class miseries and stellar performances from Victoria Hamilton and Alison Steadman
“One can’t have blessings without sufferings”
My main feelings about Mike Bartlett’s Life revolve around Rachael Stirling and thus are somewhat spoilerific – consider yourself warned! I was highly excited to see Stirling back on our screens so I was a tad disappointed when it turned out that her character was in fact a ghost and could only be seen by her grieving husband Adrian Lester.
But then when it was revealed that she was in fact a bisexual ghost – a proper shout at the TV moment – and her entanglements drew in at least one other, it was a glorious pay-off which almost, almost made up for her not being a full-on member of the ensemble. And its a hefty ensemble, set in a large house split into four flats in which four sets of tenants are all facing their own trials. Continue reading “TV Review: Life (Series 1)”
After a brilliantly brutal opening, the third series of No Offence twists into something different as the team face off against the far-right
“We’ve all led each other to each other”
The third series of No Offence started with a real bang as they kept us all on our toes by offing one of its lead characters. And though things calmed down considerably, the ongoing main story of Friday Street’s battle against the rising far-right threat offered an interesting spin for the series.
Paul Abbott’s writing always excels when it puts its characters in the forefront and it’s no different here. Dealing with grief (in their own inimitable way) only added to the portrayals, as Joanna Scanlan, Elaine Cassidy and Will Mellor all rose to the occasion, and it was great to see more of Paul Ritter’s maverick forensics guy. Continue reading “TV Review: No Offence Series 3”
“To be born a woman is the worst punishment”
The ominous funeral bell tolling throughout the opening of this Radio 3 version of Lorca’s The House of Bernarda Alba is a brilliant scene setter, and a telling reminder that so much of the world of this play is actually only ever heard making it ideal for radio adaptation. Fearsome matriarch Bernarda Alba has declared eight years of mourning after the death of her second husband and orders her daughters to remain barricaded inside the family home with her. The younger women bristle at the restraint, especially as the sounds of the world beyond their gate let them know what they’re missing, and the family trait for stubbornness proves enduringly tragic.
Michael Dewell and Carmen Zapata’s translation sacrifices little of Lorca’s striking poetic imagery but impressively manages to keep a convincing colloquiality to the speech. It helps of course to have a strong cast – Siân Thomas’ Bernarda prickles with venom, Brigit Forsyth’s kindly housekeeper Poncia is achingly good and Kate Coogan and Elaine Cassidy as the oldest and youngest daughters battle excellently for the hand of a man and more importantly, for the freedom it represents. Continue reading “Review: The House of Bernarda Alba (Radio 2014/ DVD 1991)”
Albert Herring, Royal Northern College of Music
Gianni Schicchi, English Touring Opera, Buxton Opera House
Lucia di Lammermoor, Clonter Opera
The Portrait, Opera North, The Lowry
Utopia Ltd, Gilbert & Sullivan Festival, Buxton Opera House
Carlos Acosta, The Lowry
Cinderella, Birmingham Royal Ballet,The Lowry
Danish Dance Theatre, Triple Bill, The Lowry
Richard Alston Dance Company, Triple Bill, The Lowry Continue reading “The 2011 Manchester Theatre Awards nominations”