“How dare you bring the world into this”
Enda Walsh’s Penelope is a modern reimagining and refocusing of Homer’s Odyssey, taking as its main subject the wife of Odysseus who, whilst waiting for her husband to return, was entertained by over 100 suitors whom she kept at bay for over 20 years. Walsh picks up the story on the day before Odysseus returns, with the last four remaining men kept in a disused swimming pool next to Penelope’s palatial home, desperate for one last chance to win her hand.
Densely poetic, the language is chillingly beautiful at times, none more so than with Niall Buggy’s hoarsely intonated speech about the ‘real’ world. Each actor though is given the opportunity to shine as they each plead for Penelope’s hand, all too aware of the fast-approaching consequences of Odysseus’ return and unable to hide the desperation they all feel. Walsh depicts the senselessness of pursuing competition recklessly to the end, taking aim at perceived notions of masculinity and by extension, the state of Ireland today. Continue reading “Review: Penelope, Hampstead Theatre”