A rare summer in the city for me means I can take in some of the family shows on in the West End right now – Mr Gum and the Dancing Bear the Musical, The Scarecrow’s Wedding, Where is Peter Rabbit? and Monstersaurus
“Microscopic Bobby was my wife”
The world of Mr Gum and the Dancing Bear the Musical(suitable for 7yrs+) as imagined by director Amy Hodge and designer Georgia Lowe is a fantastically bizarre one, full of warm and witty touches that shoud delight children and adults alike. Tiny gingerbread professors, menacing sunflowers, dancing doughnuts, a rainforest of umbrellas, it is an impressive and inventive take on imaginative world-building that perfectly suits Andy Stanton’s storytelling.
All things told, it is a fairly slight tale – bears, beers, butchers, you know the usual, but there’s just such a sense of fun about the whole proceedings. The cast revel in non-sequiturs aplenty (Helena Lymbery, Steve Furst and Gary Wilmot particularly impress), Jim Fortune’s eclectic score builds in post-modern layers that further pique the interest, and the show even manages to sneak in some pretty powerful messaging among all the madness. Recommended. Continue reading “Family theatre in August”
Louis Armstrong used to sing ‘it don’t mean a thing if it ain’t got that swing’ and unfortunately, Ruby in the Dust’s Gatsbyhits the floor rather flat-flooted and singularly lacking in any discernible rhythm. The Roaring Twenties that characterise F Scott Fitzgerald’s iconic novel The Great Gatsby were all about the freedom of jazz, the liberating release of the Charleston, the fizziness of gin rickeys but so little of that spirit is in evidence here, in a production intended to mark 10 years since this company opened their first show here at the Union.
Bookwriter Linnie Reedman and composer and lyricist Joe Evans first adapted Gatsby a few years back and have retooled the show for this new venue but this new version struggles on a number of counts. The decision to make Jay Gatsby’s compadre Wolfshiem the focal narrating figure as opposed to the novel’s Nick Carraway could have worked if implemented more thoroughly but where as the latter is present at many of the key moments (and thus able to tell us about them), the former isn’t and so neither actor is able to make their character find a satisfactory role in the unfolding of this version of the tale. Continue reading “Review: Gatsby, Union Theatre”