Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On
“Many a thing you know you’d like to tell her”
In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form.
Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”
“Am I wishing for too much?”
Stuart Matthew Price, currently to be found in the ensemble of Shrek The Musical, has long carried the (potentially) dubious honour of being named one of the brightest upcoming stars of British musical theatre since wowing people in Parade at the Donmar Warehouse in 2007 and since then has been quietly carving out an interesting career, more often than not choosing to highlight lesser-known musical theatre writing. And so too does he do here on his debut album, All Things in Time featuring a selection of the cream of new musical theatre writing, including himself as he is a composer as well as performer.
Dougal Irvine’s beautifully relaxed ‘The Touch of Love’ was a surprising highlight for me: I’d usually plump for piano arrangements every time but Irvine’s light touch (ba-dum) works wonders here to make this a great track. And followed by Laurence Mark Wythe’s Goodnight Kiss, the album really does come off as a fabulous showcase for interesting writing: both of these songs standing up excellently individually, but also suggesting interesting musicals that might accompany them. Likewise, Stiles & Drewe’s ‘Wishing For The Normal’, a characterful duet with Caissie Levy, and Grant Olding’s ‘Midnight Will Happen Without Us’ are other great signs of the health of new British musical writing. Continue reading “Album Review: Stuart Matthew Price – All Things In Time”