The best TV show of the year? Definitely so far…Michaela Coel’s I May Destroy You is just superb
“Just look in the mirror, you know what I mean? It’s really uncomfortable and unnerving for everyone”
Has ‘the grey area’ ever seemed so interesting? Probing into the complexities of real life and fully embracing the fact that there are rarely ever any simple answers, Michaela Coel’s I May Destroy You has felt like a real breath of bracingly fresh air.
Sexual consent for straights and gays, dealing with trauma on a personal and institutional level, the perils of buying into social media hype, portraying the scale of casual sex and drug use whilst acknowledging its inherent pitfalls, examining how we bury memories from both the recent and distant past and that’s just scratching the surface. Continue reading “TV Review: I May Destroy You”
Ahead of the film’s release on 6th March 2020, a new trailer has been released for Military Wives
“You may not need the choir…but those women do”
From the director of The Full Monty, Military Wives is inspired by the true-life story of the choirmaster Gareth Malone, who took a group of military wives under his wing, when he was working on the hit BBC show The Choir. It looks set to be a proper good Brit-flick, one to weep at at the cinema and being inspired by, at least until you get home (I never have quite managed to get around to joining a choir…). It hits the big screen in March 2020.
Military Wives stars Oscar Nominee Kristin Scott Thomas (Darkest Hour) and BAFTA Nominee Sharon Horgan (Catastrophe) who work with military wives, to form the very first military wives choir, using the camaraderie they find in singing together, to face some of life’s most difficult moments as they attempt to carry on without their loved ones.
Alice Schofield’s New Views-winning play If We Were Older is an absolute triumph at the National Theatre – a bright new talent is discovered
“An old woman is staring at me holding hands with a girl on the tube…”
Wowzers! I was hoping for an enjoyable afternoon catching up on some of the plays that were shortlisted for the National Theatre’s New Views teen playwriting competition, but I wasn’t expecting to be completely blown away by the one that was victorious. If We Were Older by Alice Schofield (a student of CAPA College, Wakefield) proves a more than worthy winner and absolutely, completely, worth junking your plans for late Friday afternoon so that you can catch its final performance.
On finally getting round to watching Patrick Gale’s Man in an Orange Shirt, I was left a tad disappointed in the conventionally linear way it explored its dual timestreams. And it is tempting to think that Schofield might have felt the same way, as as her characters Maggie and Daisy have a little contretemps on the tube, the fallout in which she explores each of their personal histories is beautifully commingled, their stories intricately entwined as we discover they’re so much more alike than they could ever know. Continue reading “Review: If We Were Older, National Theatre”
Colette Kane’sI Know How I Feel About Eve played at the Hampstead Downstairs space in 2013 and she now returns there with Scarlett, another of her plays destined to only be reviewed by the odd blogger due to the no press policy there. I’d be interested to see if it will be open to the critical community when it moves to co-producing partner Theatre Clwyd next month as the rationale behind excluding press – to create “a unique experience” – has always felt slightly odd.
Be that as it may, Scarlett offers a sadly all-too-rare opportunity at the Hampstead to see a play that is written, directed and exclusively stars women, something they should be happy to be publicising. We first meet its London-based title character on a weekend away to Wales which has extended into something longer, exactly how long is unsure but she’s been looking at properties in the local estate agent and has found a dilapidated chapel and is ready to buy. Continue reading “Review: Scarlett, Hampstead Downstairs”