Paying tribute to the NHS in its 70th year, the specially-commissioned monologues of The Greatest Wealth made for a great night at the Old Vic
“It’s a wonderful idea
It’s a marvellous idea
It’s such a very good idea”
It’s no exaggeration to say that I wouldn’t be here but for the NHS – it changed my life as a young boy, it saved my life as a teenager who didn’t look both ways. A story I imagine which finds resonance with so very many of us in the UK but as this venerable institution marks its 70th birthday, it finds itself under siege more than ever. So what better time to reflect on what has been, what is and what yet might be for our National Health Service.
Curated by Lolita Chakrabarti and directed by Adrian Lester, The Greatest Wealth took the form of a series of specially-commissioned world-premiere monologues, each responding to a particular decade of the NHS’s existence. Exploring the myriad ways in which it has become an integral part of the social and economic fabric of the nation, it proved a varied and thoughtful evening.
Continue reading “Review: The Greatest Wealth, Old Vic”
“Your town is troubled with unruly boys”
With alumni such as Rory Kinnear, Rosamund Pike and Julian Ovenden, the Oxford University Dramatic Society seems as good a place as any to spot potential stars for the future and obliging with their now customary summer tour, I only had to nip up the road to the Southwark Playhouse to go and see them in their short run of Shakespeare’s The Comedy of Errors. As he alludes in his programme note, companies often try to take a different route into such familiar work and director Christopher Adams has relocated this play to the modern day ex-pat community living in the Spanish city of Málaga. Wisely, it’s a choice that the production wears lightly and thus is quite effective, if a little reminiscent of Propeller’s own recent reimagining.
The debauched world of the Costa del Sol serves as a splendid stand-in for Ephesus – a surfeit of sex, sun and sangria seduces the newly-arrived and much-wearied Antipholus of Syracuse into temporarily abandoning the search for his long-lost brother, and the easy hedonism of his city allows Antipholus of Ephesus to pursue a self-destructive path as he struggles to deal with a loss he doesn’t understand. As the latter, Artemas Froushan delivers excellently the cocksure swagger of a man used to having his way completely and so raging violently once things start to go awry. David Shields as his more serious brother revels in the madcap capers but could perhaps have layered in a little more of the strait-laced characteristics instead of abandoning them completely, and their reunion lacked the emotional heft it ought to punch with.
Continue reading “Review: The Comedy of Errors, Oxford University Dramatic Society at Southwark Playhouse”