TV Review: Jonathan Creek, Series 5

Series 5 of Jonathan Creek is an ignominious end to a show that started out so well

“Why do I know I’m going to regret this”

It started with the 2013 Easter special but the refresh of Jonathan Creek that characterises Series 5 is a spectacular misfire. Jonathan leaving the world of magic is understandable but making him a mid-level advertising executive is just baffling. And that’s before you add in the wife who appears from nowhere, Sarah Alexander’s Polly, and  a move to the countryside to a rural village.

It’s a reset that makes little sense – there is ZERO chemistry between Jonathan and Polly and little evidence to convince of their relationship especially as he now directs his patronising non-explanations at her – and ultimately adds little value. The village setting adds a Midsomer Murders/Marple-ish vibe to the mystery solving which detracts from its USP and also means that there has to be increasingly convoluted ways in which to fold Jonathan back into the world of impossible crimes that he’s ostensibly left behind.

All told, there’s too little sense of fun about the whole enterprise, writer David Renwick’s inspiration perchance finally running dry unlike his continued misogynistic tendencies. An ignominious end to a series that started out so well. Continue reading “TV Review: Jonathan Creek, Series 5”

Review: In Event of Moone Disaster, Theatre503

“If an alien came and said they’d whisk you away a thousand billion miles, to a different planet, but you’d never come back, would you go?”

There’s something rather delicious about the winner of the Theatre503’s International Playwriting Award hailing from Sunderland but a Mackem Andrew Thompson is, and what a winner In Event of Moone Disaster proves to be. The title derives from the interesting tidbit that speechwriters at the time had to prepare for the Moon landing going wrong and though the play uses space travel as a springboard to examine three generations of a family whose destiny seems somehow tied up there in the stars.

So we encounter Sylvia on the night of the Moon landing, in awe of the possibilities it heralds; we meet Neil and Julie in the present day trying to conceive; and in 2055, Sylvia’s granddaughter is preparing to become the first person to walk on Mars. And as we see how past actions influence future possibilities, a more pressing journey of gender equality emerges as the main theme in this feminist sci-fi epic (with heart). What does the freedom to ‘have it all’ actually look like, has what we’re willing to sacrifice changed over the years, have we even progressed but at all?  Continue reading “Review: In Event of Moone Disaster, Theatre503”