Nominees for The Stage Debut Awards 2020

An interesting set of nominations from The Stage which range from the inspired to the incredible (in the bad sense) – trying to encompass all theatre will always have its trials but who in the world thought Robbie Williams deserved the nod here?!

Best performer in a play – sponsored by Audible
• Saida Ahmed for Little Miss Burden at the Bunker, London
• Katie Erich for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Brooklyn Melvin for Oliver Twist at Leeds Playhouse (in a co-production with Ramps on the Moon)
• Daniel Monks for Teenage Dick at the Donmar Warehouse, London
• Rachel Nwokoro for Little Baby Jesus at the Orange Tree Theatre, London
• Jessica Rhodes for The Sugar Syndrome at the Orange Tree Theatre, London
• Khai Shaw for Little Baby Jesus at the Orange Tree Theatre, London
• Bobby Stallwood for Faith, Hope and Charity at the National Theatre, London Continue reading “Nominees for The Stage Debut Awards 2020”

Review: Mame, Hope Mill Theatre

There’s still a reason Mame hasn’t been seen in the UK for 50 years but this lavish Hope Mill Theatre production and a spectacular Tracie Bennett give it a damn good try

“Your special fascination’ll
prove to be inspirational
we think you’re just sensational”

In some ways you have to admire the ambition in reviving a show that hasn’t been seen professionally in the UK for 50 years. In others, you wouldn’t be blamed for blurting ‘what are you thinking’! The ever-adventurous folks at Manchester’s Hope Mill Theatre have done just that with this revival of Mame, hoping to find a glitzy neglected diamond in the rough. (And when oh when will they transfer their lovely take on Little Women to London like so many of their other shows.) 

Director Nick Winston’s wisest decision is to mount it with a lavishly decadent production that you don’t often see on the fringe, especially with the likes of Tracie Bennett (so excellent in Follies recently) heading the cast. Getting to see a performer of the calibre of Bennett, with a voice like that, in such intimacy as this, is a rare treat and even singing a minor Jerry Herman score, is a genuine theatrical thrill.
Continue reading “Review: Mame, Hope Mill Theatre”