Review: Een Bruid in de Morgen, Toneelschuur Haarlem

“Ik heb nog nooit zoiets merkwaardigs gezien als hoe die twee met elkaar omgaan”

Though considered one of the most important contemporary Belgian writers, Hugo Claus’s renown hasn’t stretched much outside of the Flemish-speaking world. So it is perhaps fitting that I saw Toneelgroep Amsterdam’s production of his Een Bruid in de Morgen (A Bride in the Morning) at the Toneelschuur theatre in Haarlem in its native language, without the English surtitles that are so usefully provided on Thursdays at their main base in the Dutch capital.

I was well up for the challenge though, not least because the show fell under the auspices of their emerging directors programme TA-2 – nurturing the Ivo van Hoves of the future – and through which I saw Julie Van den Burgh’s extraordinary reinterpretation of Blood Wedding back in 2013. This time round, it is Norwegian Maren E Bjørseth getting the opportunity to work with the ensemble company, taking the show around the Netherlands. Continue reading “Review: Een Bruid in de Morgen, Toneelschuur Haarlem”