Despite great work from supporting players like Audra McDonald and Laura Benanti, The Sound of Music Live isn’t a great advert for The Show Must Go On
“Many a thing you know you’d like to tell her”
In some ways, turning to the series of live TV musicals to continue The Show Must Go On now that Andrew Lloyd Webber has exhausted the content he is willing to give for free, for weekends at a time. The problem is, its opening salvo – The Sound of Music Live from 2013 – really isn’t a good example of the form.
Directed by Rob Ashford and Beth McCarthy-Miller, it has all the requisite component parts and as a piece of live entertainment, it is all very competently done. There’s an impressively capacious set, slick camerawork and a well-drilled ensemble who barely put a foot wrong throughout the 2 hours plus of the show. Continue reading “Review: The Sound of Music Live (The Show Must Go On)”
This trio of album reviews covers Singing You Home: Children’s Songs for Family Reunification, Mamma Mia! Here We Go Again (2018 Film Soundtrack) and Vanara the Musical
“Ay, ay, ay, ay, canta y no llores”
Regardless of your politics, Singing You Home: Children’s Songs for Family Reunification is a really rather lovely album of bilingual children’s songs. But in this day and age nothing is not political and the current US administration’s policy of child separation is a genuine atrocity that it is hard to know how to respond. Laura Benanti had the nous to conceive this project though and produced it with Mary-Mitchell Campbell and Lynn Pinto, and a whole host of the great and good of the American musical theatre. Thus this is more than just your usual set of lullabies – Lin-Manuel Miranda and Mandy Gonzalez crooning on the Mexican song ‘Cielito Lindo’, Audra McDonald shining on Jason Robert Brown’s ‘Singing You Home’, Kristin Chenoweth’s ‘Beautiful Dreamer’, well worth the investment for this uniquely exceptional cause. Continue reading “Album Reviews: Singing You Home / Mamma Mia! Here We Go Again / Vanara the Musical”
“It will all be fine, somewhere down the line”
Songbook albums can be difficult beasts – composers can often find themselves caught between trying to compile a thematically coherent collection and demonstrating the breadth of their talent and it can be a difficult balance to find. Transatlantic writing duo Barry Anderson and Mark Petty, the catchily named Anderson & Petty, have erred towards the latter, not only showcasing not only a huge range of musical styles but a roster of performers from both sides of the ocean.
And what does connect the material on You Are Home – The Songs of Anderson and Petty is a genuine gift for effective songwriting, highlighted by some excellent matching of song and singer: Coleen Sexton’s ‘You Are Home’ brims with supreme confidence, a near-perfectly constructed piece matched with a flawless vocal; Gina Beck’s crystalline soprano on the verge of shattering due to the emotionally devastating ‘Forever Child’; Autumn Hurlbert carrying ‘Superman’ from its hushed beginnings to a wonderfully strident climax. Continue reading “Album Review: You Are Home – The Songs of Anderson and Petty”