I’m never quite sure why I put myself through dementia plays, they upset me like nothing else and yet I go again and again. The latest is Nessah Muthy’s Sundowning, currently showing at the Tristan Bates Theatre and based as it is, in part at least, on Muthy’s own family history, it is achingly done.
Whilst Alyssa has been locked away in prison, her grandmother Betty has faced a different kind of institutionalisation. Suffering from dementia, Betty’s daughter and Alyssa’s aunt Teresa has relocated to a care home to alleviate the strain but once Alyssa is released and discovers this, she sets about organising a jailbreak for her nan. Continue reading “Review: Sundowning, Tristan Bates”
The third series of Chris Lang’s Unforgotten is another corker, and not just because of Nicola Walker, honest!
“We’ve all done things of which we are ashamed”
The cold cases of Unforgotten have rightly proved a success for their alternative tale on crime drama, putting a real focus on the victims rather than the crimes, a neat corrective to the sometimes exploitative gaze that can characterise this genre. And this third series maintained that strong record (quick review of episodes 1 and 2 here)
A measure of the regard in which Unforgotten is held is the sheer quality of its cast. With James Fleet, Alex Jennings, Kevin McNally and Neil Morrissey as its lead quartet, it added Sasha Behar, Emma Fielding, Indra Ové and Amanda Root as their partners, and then threw in Siobhan Redmond and Sara Stewart as exes as well. Continue reading “TV Review: Unforgotten Series 3”