Still utilising the in-the-round format introduced for The Norman Conquests, the Old Vic now hosts the first revival of Brian Friel’s Dancing at Lughnasa. Telling the story of five unmarried sisters living in rural Ireland, the play is actually narrated from the memories of a seven-year-old Michael, the illegitimate son of the youngest sister, now grown up: a framing device which initially proves very effective. The play looks at the struggles faced by the women to subsist in increasingly uncertain economic times, exacerbated by their unwell brother recently returned from Africa and Michael’s father’s unexpected visit to their cottage.
The five actresses playing the sisters have a great chemistry, and I longed for more scenes with all five of them simultaneously on the stage, but Simone Kirby as Rosie is given much less stage time than the others. Niamh Cusack came close to stealing the show for me, she effortlessly showed the great strength in her character who assumes the responsibility of keeping spirits high in the household, whether it be through cooking (she displays some great bread-making skills on-stage), through her melodic singing, or just her joie-de-vivre. Her scenes with Michelle Fairley’s more matriarchal Kate were spine-tingling as their frustrations at their ever-worsening situation threaten to take over, but they can’t allow their feelings to explode as they have the rest of the family to think about. Continue reading “Review: Dancing at Lughnasa, Old Vic”