Series 2 of Liar shifts the focus from rape to murder but does little to raise this from bog-standard thriller territory
“Sometimes bad things happen and we just have to deal with them”
Was the world calling out for a second season of Liar? When the first apparently did such great numbers for ITV, it seems the decision was inevitable but it has taken more than two years for it to arrive and I’m not sure that it carries the same level of impetus with it – I don’t imagine ratings will have held up to anywhere near the same degree.
That first series did show much promise, complicating a rape story by presenting a he said/she said narrative that asked some big questions. But midway through, Liar tipped its hand and ended up as a bog-standard thriller and it is in that same spirit that it continues here. A bit of story-telling trickery allows for Ioan Gruffudd’s Andrew to return alongside Joanne Froggatt as Laura but I have to say I really wasn’t gripped. Continue reading “TV Review: Liar Series 2”
A strong opening concept makes the first half of series one of Liar a must-see, until convention creeps in to mar the second.
“I feel like I’m in Dawson’s Creek“
From the very beginnings of Liar, it is tough to like central character Laura Nielson. She’s the type of person who goes canoeing in the morning before going to work, she’s the kind of secondary school teacher who happily flips the bird to unruly students, heck she even sings to Sam Smith in the shower. But before you can get too annoyed with her for being someone who doesn’t prebook her taxi before going on a date, the hammer blow of date rape lands heavily to reshape our preconceptions.
The cleverness of Harry and Jack Williams’ series, at least for its first few episodes, is how it toys with those expectations. As Laura reels from the aftermath of her dinner with handsome surgeon Andrew Earlham, the shattered narrative structure flits repeatedly from present to past as it also switches perspective. It’s a neatly disorientating device that constantly calls into question the ‘truth’ of what we’re hearing or seeing, really ramping up the ‘he said she said’ format as consequences unravel dramatically for the both of them. Continue reading “TV Review: Liar (Series 1)”
“It’s brilliant not to be me”
On my way to Bristol to see Filter take on Macbeth, I thought I would take the opportunity to watch What You Will, a mockumentary that follows an innovative theatre company as they put on a touring production of Twelfth Night. It comes off a little like the behind-the-scenes episode of Acorn Antiques as actors play actors who are in turn acting, so Ferdy Roberts plays a guy called Greg who plays Malvolio in the show – it’s a disarming and discombobulating approach which never quite settles in my opinion.
This devised approach clearly has great appeal for the Filter company and the way they work but it is hard not to think that it overcomplicates the matter somewhat. For when it just plays out, it is really very amusing. The trials of a touring theatre company – the precious egos, the heavy drinking, the thwarted ambitions, the strained relationships, the poor ticket sales, the last minute crises, all are played out as they travel the country touring their show professionally but barely holding it together personally. Continue reading “DVD Review: What You Will”
“A woman playing a woman, where’s the trick in that”
Any film with Clare Higgins yelling ‘give me back my merkin’ is surely destined for stone cold classic status but 2004’s Stage Beauty seems to have slipped from people’s minds whereas I always remembered it as a film I really enjoyed, more so that Shakespeare in Love. Much will depend on your opinion of Claire Danes but this tale of the rapidly changing world of the theatre during Charles II’s reign proved much more enjoyable than Shakespeare in Love ever did, and offers a fascinating, even-handed look at how both the men and women of the stage were affected by the decision to ban the former from playing the latter.
Billy Crudup’s Ned Kynaston has become one of the top actors in town, specialising in female characters like Othello’s Desdemona in which he frequently steals the show and aided by his faithful dresser Maria, played by Danes. She has a burning desire to act on the stage herself but since the Puritans outlawed such a thing in professional theatres, she’s limited to appearing in grubby pub theatres on the fringe (plus ça change…). The thespian desires of Charles’ ambitious mistress Nell Gwynn seem set to change that completely though, along with the fortunes of all concerned. Continue reading “DVD Review: Stage Beauty”
Mr John from Julian Kerridge on Vimeo.
Sometimes, it’s the smallest things that are most affecting and Julian Kerridge’s 2005 film debut Mr John is full of gorgeous, intimate details that make it a most charming prospect. Benedict Wong’s Mr John is an agoraphobic television critic but the arrival of a pretty upstairs neighbour, in the form of Nicola Stephenson’s Carol, forces him to look at the limits of his world anew. Their burgeoning relationship is a delight to behold – the gift of a casserole, a love for volcano documentaries, the re-organisation of a video collection – the quirky aspects of what makes her utterly adorable is perfectly played by Stephenson, the wry smile as she walks down the steps at the end enough to melt any heart. And Wong is appealingly nerdish as Mr John, initially disgruntled at the intrusion into his hermit-like existence but soon won over and willing to confront his greatest fear. Just lovely. Continue reading “Short Film Review #25”
“No decent woman will be able to say suffrage without blushing for another generation”
Part of a series of radio dramas looking at contemporary responses to the increasing emancipation of women at the turn of the twentieth century, Votes for Women is a 1907 suffragette play by Elizabeth Robins, one of the most forthright actresses of the time who allegedly pulled a gun on George Bernard Shaw when he made a pass at her. Her play looks at women who were equally bold at a time when the movement for women’s suffrage was beginning to stagnate, paralysed by the filibustering efforts of the men in Parliament. Where some were content to continue the same path and attempt to win them over, others were adamant that direct action was the only course of action and Robins neatly explores this schism in the movement.
In Marion Nancarrow’s production, Zoë Tapper plays Vida Levering, one of the activists determined to take things further whose zeal sweeps up those around her, including the youthful heiress Jean Dunbarton, voiced by the delicately effervescent Charity Wakefield, who is newly engaged to Sam West’s Tory MP Geoffrey Stoner, who in turn has his own connection to Vida. This tangled relationship provides the melodramatic meat for the final third of the play and if not quite brilliant, it is certainly engaging. Robins is much more successful at the dramatisation of the crusading spirit and enthusiasm of the time. Continue reading “Review: Votes for Women/The Magnificent Andrea, Radio 3/4”
“You always do the decent thing”
Noel Langley might be best known for being one of the screenwriters for The Wizard of Oz but his work as an author and playwright stretched over several decades and in 2006, an adaptation of his novel There’s A Porpoise Close Behind Us was released with the title These Foolish Things, both adapted and directed by Julia Taylor-Stanley. It’s a perfectly passable 1930s romp, set in the world of the theatre as the dark shadows of war gather (but not too closely) and a struggling young playwright goes about trying to get his play and his girlfriend on the London stage. What is oddly notable about it is the heavyweight Hollywood legends that have somehow gotten roped into the whole shebang – Anjelica Huston, Lauren Bacall, Terence Stamp…none of whom are in a major role.
Instead it proves to be something of a Brit flick. Floppily handsome David Leon plays playwright Robin who offers Diana a place in his lodgings as she moves to London to follow in her actress mother’s footsteps but finds herself overwhelmed by the demands of the theatre world. As she steadies herself, she finds both allies – Julia McKenzie’s compassionate landlady, Andrew Lincoln’s helpful Christopher – and enemies – her own nefarious cousin Garstin, Leo Bill in full-on sneering mode, and Mark Umbers’ sexually voracious and unfussy Douglas. With Huston’s glamorous patron of the arts Lottie Osgood in the middle of them all, the play edges ever closer to production, but at no small cost to everyone concerned. Continue reading “DVD Review: These Foolish Things”
The latest set of short films that have crossed my path.
I haven’t covered any animated films before, but the voice cast for Cooked was just too irresistible, featuring as it does Katherine Parkinson, Stephen Mangan and David Morrissey. And I’m glad I did as this tale of an everyday love triangle between a walrus, a lobster and a seal by German animators Jens & Anna is just adorable. My limited experience in the field makes the comparison with Aardman’s work a little lazy but it really does have some of the same fresh and quirky sense of humour about it and visually it looks really impressive, using a variety of techniques to create something that feels nicely different. At barely six minutes long, you should definitely give this a watch. Continue reading “Short Film Review #11”
“When you speak, it sounds like poetry”
The second disc of ShakespeaRe-Told (first disc reviewed here) features reworkings of The Taming of the Shrew by Sally Wainwright and A Midsummer Night’s Dream by Peter Bowker. Shrew is a problematic play at the best of times and I have to say that I found this interpretation to be very difficult. Katherine becomes an abrasive politician aiming to become Leader of the Opposition who is advised to get married for her image, Petruchio is a foppish aristocrat who has fallen on hard times and is attracted by her wealth. They meet, sparks fly and thus do battle whilst conducting their relationship. Initially it works, as he is just as mad as her – almost cartoonish in how mental they are – but the ‘taming’ that ensues only applies to her and so the unease feeling of misogyny is always too present. Shirley Henderson gives shrewish life to Katherine (sorry) and Rufus Sewell swaggers well as the cross-dressing Petruchio, but it never really flies as a revision.
The subplot involves her supermodel sister Bianca – Jaime Murray as she bats away the affections of her manager for the seductive allure of a Spanish stranger Lucentio. I have to say that Santiago Cabrera looks pretty much like perfection here, the sexiest glasses-wearer ever, and so is forgiven for the underwhelming way in which this subplot works. Stephen Tompkinson’s manager is oddly fobbed off with the mother – Twiggy of all people – but it does lead up to a nifty conclusion in which Katherine’s hard-to-swallow speech ends up being about prenuptial agreements. David Mitchell is also featured in this as Katherine’s aide, demonstrating just how little range the man has.
Continue reading “DVD Review: ShakespeaRe-Told – The Taming of the Shrew/A Midsummer Night’s Dream”
“And what’s he then that says I play the villain?When this advice is free I give and honest”
My first Othello was just last month with the Crucible’s extraordinary production which was rather breath-takingly good, so I was a little trepidatious about putting on this DVD on the Globe’s take on the play from 2007. Wilson Milam directed this rather traditional production but I was still rather keen to see an alternative version, especially once I’d found out that it contained John Stahl and Sam Crane in its ensemble.
Given how strong the four central characters were in Sheffield, I was quite surprised, and pleased, at how good I (mostly) found the four actors here to be, offering different but equally effective takes on the roles and demonstrating the malleability of Shakespeare’s text when in the right hands. Eamonn Walker’s Othello is a strident beast, most definitely a warrior though with hints of vulnerability which Zoë Tapper’s astoundingly accomplished Desdemona is clearly attracted to and thoroughly won over by. He perhaps could have worked in a little more charisma into his performance and his verse speaking didn’t always feel quite so natural, but this was mainly in comparison to Tapper whose luminosity shone through onstage, through every move she made and word she spoke, truly breaking the heart as the betrayals kick in. It feels a crime that she hasn’t done more stage work. Continue reading “DVD Review: Othello, Shakespeare’s Globe”