Pickle Productions’ new version of Adam Gwon’s Ordinary Days is streaming via The Theatre Cafe now
“I’m simply letting breakfast stir my soul”
Adam Gwon’s four-hander Ordinary Days is one of those musicals that keeps popping up every couple of years and for good reason, since its affecting and uplifting spirit really is rather lovely and, evidently, enduringly timeless. This production by Pickle Productions was destined for a Spring tour but as with so many others, has had to pivot. Staged and filmed in a theatre in Norfolk, it is now available for streaming via The Theatre Cafe.
The show follows 4 young-ish New Yorkers on a seemingly unremarkable day. But as Deb looks for her thesis notes and Warren for a purpose, as Jason moves in with Claire and Claire checks out emotionally, Gwon makes us look at how the vast majority of life is lived in the ‘ordinary’ and how the ongoing search for happiness is tied up in the many everyday decisions that on their own, might not seem to count for much. Continue reading “Review: Ordinary Days”
Regions across the UK were hoping to win the lottery but with the news of Tier 2 (for now) for London, here’s some Christmas theatre news
The Donmar Warehouse announces today that it will present a special concert online to mark the festive season. LOOKING A LOT LIKE CHRISTMAS will be performed in the beautiful setting of St Paul’s Church (affectionately known as The Actors’ Church), in the heart of Covent Garden and premiere online for free on the Donmar’s YouTube channel on Wednesday 16 December, 7.30pm. The concert will be captioned, and an audio introduction will be available in partnership with Vocaleyes.
This hour-long concert of musical numbers, sketches and seasonal poetry will be directed by Simon Evans (Staged, The Resistible Rise of Arturo Ui) with musical direction by Nigel Lilley (Piaf, Caroline, or Change) and production design by Grace Smart (My Beautiful Laundrette, One Night in Miami). Continue reading “News update for Christmas theatre in London”
I might have taken a break from reviewing for the last couple of months, but I didn’t stop going to the theatre. Here’s some brief thoughts on most of what I saw in August.
Joseph and the Amazing Technicolor Dreamcoat, aka the Sheridan Smith show
Queen of the Mist, aka the surprisingly affecting one
Appropriate, aka all hail Monica Dolan
Waitress, aka ZZZZZZZOMGGGGG STUNT CASTING oh wait, Joe Suggs hasn’t started yet
The Doctor, aka all hail Juliet Stevenson
A Very Expensive Poison, aka it was a preview so I shouldn’t say anything
Blues in the Night, aka all hail Broadway-bound Sharon D Clarke (and Debbie Kurup, and Clive Rowe too)
The Night of the Iguana, aka justice for Skyler Continue reading “August theatre round-up”
“I’ll pull the greatest stunt this business has seen”
I can’t be doing with supermarkets who are already starting to stock mince pies but it was hard not to feel that Christmas had come early, such were the heady delights of the London Musical Theatre Orchestra’s latest venture Mack and Mabel, directed by Shaun Kerrison. Ostensibly, these are concert presentations of musicals but the joy in what you actually get, the bonuses that get incorporated into the creation of genuine one-off experiences makes LMTO one of the more valuable recent additions to the London theatre ecology.
So you’ve got your cast of West End names (David Bedella, Natasha J Barnes, Tiffany Graves headlining), you’ve got your orchestra of 32 (conducted by Freddie Tapner, led by Debs White), you’ve got a chorus of 16 too. And of course you’ve got the marvellous musical, written by Michael Stewart and composed by Jerry Herman, in the atmospheric surroundings of the Hackney Empire. But not content with such riches, we also get cream pies, chorus lines, and two properly gobsmacking coups de théâtre that brought the audience to their feet. Continue reading “Review: Mack and Mabel, Hackney Empire”
“I am not making friki-friki”
The London Musical Theatre Orchestra’s arrival on the scene has not gone unnoticed by me but their previous concerts have always fallen on days when I couldn’t make it. So finally putting a show on on a Sunday night meant I was able to put it in the diary and to mark the occasion, they only went and invited their first guest conductor along, Mr Jason Robert Brown himself to helm the UK premiere of his show Honeymoon in Vegas.
And in the swish surroundings of the London Palladium, it was hard not to be entirely seduced by the lush sound of a 30-strong orchestra (under the musical direction of Freddie Tapner), a chorus of 16 up-and-coming performers and a main cast of bona fide West End stars directed by Shaun Kerrison. The concert staging allows for an amusingly slapdash approach which really suited the joie de vivre exuding from pretty much everyone involved here, a real passion project. Continue reading “Review: Honeymoon in Vegas, London Palladium”