This trio of album reviews spans the decades with Jonathan Reid Gealt – Whatever I Want It To Be, This Ordinary Thursday and Among Friends – The Words and Music of Richard Kates
“Nothing worth doing will ever come easy”
There’s something irrepressibly catchy about the music of Jonathan Reid Gealt as evidenced on this album Whatever I Want It To Be. From the cracking one-two of the driving pop of the title track sung with exciting energy by Jane Monheit and Alysha Umphress and the swinging delights of Loren Allred, Natalie Weiss and Luke Edgemon on the adorable ‘Boy Crazy’ to the more restrained but no less deeply felt emotion of Joshua Henry on ‘Let Me Try’ or Laura Osnes on the shimmeringly lovely ‘Lullaby’, this is some top-notch songwriting. Continue reading “Album Reviews: Jonathan Reid Gealt – Whatever I Want It To Be / This Ordinary Thursday / Among Friends – The Words and Music of Richard Kates”
“I can’t tell you I know what the future will be.
Who knows anything?”
Though often cited as one of the titans of new musical theatre writing, I think it is fair to say that Jason Robert Brown has never managed to nail a proper commercial hit on Broadway. Despite the critical acclaim and cult status that has built up around shows like Parade and The Last Five Years, the Great White Way has resisted his charms and in 2014, it was the turn of his musical adaptation of The Bridges of Madison County to last barely even 4 months the Gerald Schoenfeld Theatre.
And as is so often the case, it is hard to tell why, just from listening to the Original Broadway Cast Recording. Based on the Robert James Waller novel, further popularised by an Academy Award-nominated film adaptation, it is a sweepingly romantic story and it is given the sweepingly romantic treatment here by JRB. And with a cast led by Kelli O’Hara (possibly too young for the middle-aged disillusionment meant to characterise the tale) and Steven Pasquale, it sounds just gorgeous. Continue reading “Album Review: The Bridges of Madison County (2014 Original Broadway Cast Recording)”
UK – Best male in a supporting role
Charles Edwards as Charles Marsden in Strange Interlude at the National
UK – Best female in a supporting role
June Watson as Mammy in The Cripple of Inishmaan at Noel Coward Theatre and Nanny in Before the Party at Almeida
US – Most promising Male
Steven Boyer – as Jason and Tyrone in Hand to God
US – Most promising female
Whitney Bashor – as Marian and Chiara in The Bridges of Madison County